Showing posts with label film making. Show all posts
Showing posts with label film making. Show all posts

Final Draft Version 7 Academic Win/Mac Review

Final Draft Version 7 Academic Win/Mac
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I'm a writer, here's my story. I bought Final Draft mainly because I felt I needed to upgrade from Microsoft Works or get left behind. Well, I've worked with Final Draft for a while, and to be honest I do not think it was worth the $150.00 dollars + postage. It's very hard to format scripts, especially ones that had been saved in other formats - it adds all these extra spaces and it's terribly time consuming to remove them. Also, it sometimes adds in a character heading when one isn't needed and it's very difficult to get rid of those showing up all the time.
I cannot figure out how to use the Tagger part at all. The most disappointing part for me was that it DOES NOT read the scripts back - it does however save your script in a new format that you cannot add to. And finally my last complaint is that the disk explaining how to use it is NOT INCLUDED and sells for $30.00 extra bucks. Now, maybe it's just my computer - it's an Everex with Microsoft Windows XP that's not even a year old. Maybe it's just my bad luck.

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Use your creative energy to focus on the content; let Final Draft take care of the style. Final Draft is the number-one selling word processor specifically designed for writing movie scripts, television episodics and stage plays. It combines powerful word processing with professional script formatting in one self-contained, easy-to-use package. There is no need to learn about script formatting rules - Final Draft automatically paginates and formats your script to industry standards as you write. Final Draft 7 combines powerful word processing with professional script formatting in one all-purpose screenwriting tool. Use your creative energy to create the story that burns inside you. Final Draft handles the technical details - all you have to supply is the heart. Format Assistant checks for and fixes common errors - missing dialogue, extra spaces, blank elements etc. Break down your Final Draft scripts to their fundamental components and export them with the Tagger tool No more retyping your scripts over and over -- export them to PDF format and share them with anyone Built-in Script Registry - online WGAw registry service helps you protect your scripts Import/Export from any word processor New Index Card functions new stand-alone application that enables you to ?tag? elements of a script [cast, costumes, props, etc.] and export the results into any movie scheduling software. Created with the help of veteran assistant directors, producers and unit production managers, Tagger means no more going over a paper script again and again with highlighters. Over 2 Dozen new templates Customizable Reports Format Assistant Improved Final Draft Courier Font

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Pinnacle Studio MovieBox Deluxe 9.0 Review

Pinnacle Studio MovieBox Deluxe 9.0
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I have some VCR tapes that I wanted to copy, edit and burn to DVD. I contacted Dell Computers to seek their advice on what I should purchase to accomplish this task. They recommended the Pinnacle MovieBox 9.0-USB. I naturally went to Amazon to read reviews. Needless to say, the reviews were pretty bad. But, the one thing that I kept reading was that people with machine configurations slightly better than minimum requirements were having problems. Since I just purchased a new computer from Dell (Dimension 8400, 3.4GHz, 1GB RAM, 160 GB HD), I assumed that I my configurations were more than adequate to accomplish the task. I purchased the Pinnacle MovieBox Deluxe 9.0-USB.
After receiving the moviebox and software, I couldn't be more pleased. This hardware/software performs exactly as described and I couldn't be happier. I was able to capture my VCR tapes flawlessly, edit like a professional and burn to DVD without any problems.

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Studio MovieBox Deluxe lets you create spectacular movies easily, using its library of powerful and creative features. Connect any Camcorder or VCR to your PC - any digital or analog source can be used. The Hi-Speed USB 2.0 port gives you a faster video transfer, while the advanced video editing and enhancement tools offer you the same tools used in major film studios. Features a full version of Studio Plus v.9 and Hollywood FX Plus.Create animated photo slideshows that pan and Zoom across your photos, for a more dynamic presentationWork with hundreds of special effects and transitions, using Hollywood 2D and 3D FXSimple, automated SmartMovie feature instantly creates a fully edited movie with effects Add the feel of home theatre to your creations, with support for 4 - 3 and 16 - 9 Widescreen

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Outline 4D Review

Outline 4D
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The back of the software box describes the program as "the most powerful way to outline, plan, and present your ideas....lets you brainstorm, create structure, and organize your ideas....timeline format that is vastly superior to index cards...." They had me at "index cards." Having previously organized my tasks for an art retrospective spanning several decades on (mostly) color-coded index cards, it was not an experience I wanted to repeat so an organizational structure software with the extra added bonuses of timeline and color-coding features was exactly what I thought I wanted.
Facing a similar project again and starting almost from scratch, I wanted some sort of outline structure in which I could organize my thoughts and prioritize my tasks over the two-year planning period. Having tried to do this before using Excel, Access, Word, and index cards, I wanted a more coordinated approach.
I could tell from the screenshots that screenplays were one possible application. What I didn't realize was that, this software apparently assumes that writers are the only people who need to structure and organize ideas that flow sequentially and in a timeline. Anyone involved in planning public events or complex extended projects, also needs this type of framework.
This seems to be a software written for right-brained (creative) people by left-brained (technical) people. (I'm really not sure how that combination will work out.) Being predominantly left-brained myself, I enjoyed playing with the program even after concluding I would probably not be able to bend it to my will. I attempted to use the most general of the many templates provided for jump starting a project ("4-Level Outline" and "Brainstorming".) Even these templates assume you have scenes and characters. Using "User Defined" seems most likely possibility but also an incredibly complex immersion into a program that is sufficiently complex already.
But, in the process, I've noticed the following:
*The learning curve for the program, while not difficult, is cumbersome. It doesn't resemble any program that I'm familiar with, such as those from Microsoft Office or Adobe Creative Suite.
*Using the templates as a starting point, you start with a certain structure you just have to fill and modify. Defining a structure from scratch, however, is a major production.
*There is plenty of help available and a multitude of videos demonstrating specific steps and processes but it seems to me that, until the writer masters the program, he'll have forgotten what he was going to write before he can figure out how to enter it. This seems like an inevitable part of the learning curve.

*You might want to go to you-tube and look up some of these videos to see if they go along with your needs or your way of working. I wish I had.
*Some menu items and keyboard shortcuts are familiar (such as file>save or the keyboard shortcut "control + S" and all the copy, paste, select all functions.) But the "Event", "Tools", and "Window" menus are foreign territories, and learning shortcuts like "Promote = alt+shift+left arrow" will take a lot of initial effort and memorizing.
*The program is really designed to use with keyboard shortcuts (all of which are provided along with the menu items).

*The program is, as the title implies, for outlining and creating structure, scene descriptions, purpose and innuendo, keeping track of the character's actions, etc.--but NOT for actually writing out dialog, production details, set design or setting descriptions, or directorial notes. Presumably, you do all that in another program.
*You can import text from other programs but the only fairly-common file extension for importing is RTF ( Rich Text Format, which is available from Word under the "save as" option.) You can also export, but I'm not sure to where.

*The program is endlessly editable. You start with only the most basic idea outline and eventually flesh it out in the most agonizingly precise detail. You can insert, delete, move anything you want anywhere you want to put it and the timeline is automatically updated to reflect that.
*The timeline function seems to be linked to the heading or upper parts of the hierarchy of events. This is mostly things like act and sequence (or scene or chapter) names and numbers.
*The same color coding that appears in the text section (your text) will appear in the corresponding spot on the timeline.
*The text flows vertically, the timeline flows horizontally.
*It helps to have a big monitor to show all this.
*There are templates provided for plays, screenplays, commercials, novels, etc.
*There are examples provided about how a completed screenplay or book would look to help you pattern your work accordingly. I'm assuming that, since the person studying these examples is familiar with what the finished product was (like the various Star War episodes are laid out in excruciating detail) this in-depth visual reference can be very helpful.
*In addition to the color coding in the text and the timeline, there is a small vertical bar that shows color coded graphical representation of the structure that is being constructed.
*The program assumes that you think in the same hierarchical structure that it thinks, however, there are preferences that can be set by the user to bring the program more in line with his own vision or workflow.
*It doesn't seem applicable for academic publications requiring footnotes. You have to be able to structure your writing into levels such as Chapter/Section or Act/Sequence/Scene. If you can do that, the program can accommodate whatever length or complexity you wish to throw at it.
A last note: The program is supposed to run on Windows 7. I was unable to install it and there is a problem that could not be resolved by reinstalling or checking online. I have a virtual XP mode within W7 Pro, and it installed and ran fine there.
Despite the fact that, for me, it's probably a no-go, I'm still very impressed with the program.



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Outline 4D gives you the most powerful way to outline, plan, and present your ideas! It is a remarkable outlining program that lets you brainstorm, create, structure and organize your ideas. In addition to a traditional vertical outline format, Outline 4D has a horizontal timeline format that is vastly superior to index cards, blocks, and traditional outlining systems. Outline 4D has limitless space for your big ideas. The software enhances the research and organization of your writing, helps you visualize your project and outline structure, and speeds the process of brainstorming and creation. It lets you create virtual index cards that contain unlimited text: from a few words to hundreds of pages. Structure your ideas with Outline 4D's powerful Outline View or remarkable Timeline View to get a stronger visual sense of your outline. The Tracking Feature allows you to track anything you want in your project, as well as show connections between events and characters, objects or key words, revealing the rhythms and patterns of your project in seconds. Outline 4D lets you see your outlines like never before.


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Sony Pictures Sound Effects Series: Volumes One through Ten Review

Sony Pictures Sound Effects Series: Volumes One through Ten
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"...As none of us have the time or the money to foley all of our own sound effects, this is a set that any filmmaker should take a look at, even if you don't think you're doing very effects-heavy films. Sound effects are not just for action films and slapstick comedies, but can also touch up a great love scene in a romantic drama or add the necessary impact to the flying fonts in a trailer. Plus, the sound design effects included in the later discs give you additional elements that you can weave into the story to give your audience the visceral feeling you want them to have..." -Jeremy Hanke, Microfilmmaker Magazine, Issue 17 (Feb/Mar '07), Final Score: 9.7/10

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Montage (Mac) Review

Montage (Mac)
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The main advantage I see of using Montage over other software packages I've looked at is its simplicity and ease of use, focused on the writer. It opens quickly, has an easy-to-use and easy-to-learn interface, and at the same time has nearly all the features you'd actually need or use from more complicated and expensive programs.
You can set up several different screenwriting templates, depending on what kind of thing you're writing - various BBC genres, the standard American screenplay formats, comic book dialogue, television and musicals. You can have the various elements of the screenplay color coded or not, and can create your own template.
It's easy to shift between various views, such as the overall script view, the title page, or a scene or outline view; and there are templates for fleshing out information on characters and locations, or for various research notes. There is a place to outline tasks, contacts, queries, for writing up a synopsis. These various views are integrated, such that if you change the name of a character on the character view, the name will change throughout the script. These are all searchable via user identifiable key words. You can add annotations or notes to specific bits of the script, which would be very helpful during the revision process.
While the window for Montage is a standard Mac-style window, you can easily enter and exit a full screen view for a focus on your script that completely eliminates the distraction of seeing your other apps. The program as a whole is strictly focused on writers - while you can attach pictures for the characters and locations, there's nothing here that supports storyboarding and the like.
Some features don't work as intuitively as I'd like. For example, in the "Research" view you can add various topics with notes for each, but you can't tab from the name of the topic to get to the notes field - you have to actually mouse click into the notes field to make it active. I understand that a new edition of Montage is forthcoming, so it may be worth waiting. As it is, this is a simple and streamlined, no-frills alternative to some of the overpriced screenwriting programs out there. I like it because it puts the focus on writing - and makes it easy to avoid distraction from the main task of screenwriting which is using your imagination and hard work to create characters and a compelling story.

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Apple Shake 4.1 Visual Effects (Mac) Review

Apple Shake 4.1 Visual Effects (Mac)
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If your do film editing with FCP Studio 5 on a Power PC G5, or are averse to going to Leopard or Snow Leopard, this is your last chance to accumulate the wherewithal to attain the editing horsepower of FCP Studio 5 with Motion and After Effects without paying through the nose for a new Intel Mac and After Effects (which now runs only on Intel Macs using Leoplard). Shake was discontinued by Apple in 09, but runs flawlessly with FCP5 and it's bundled Motion 2. Some say Apple will release Shake again as Phenomenon, some disagree...either way Shake is still available through others who've bought up the disks. Beware, I bought mine through an outfit sending only the disk and not docs, and the disk is sold as NFR, not for resale. Buying it this way you'd have to print up the docs (1000+ pages) and wonder what NFR really iplies. I'm still learning this ap, Apples training manuals are still available and I refuse to buy another Mac to edit on because my old workhorse is just a G5 Power PC, still works great and since I bought it for editing in the first place (in Dec 2004) I now have every incentive to keep going and learn this ap and it's integration with FCP and Motion (for which it was intended). I don't agree that it's cool for Apple to change platforms to Intel based and leave the Power PC owners high and dry for aps and support. Thank God Shake is still available and this version is Universal, works on both the old chips and Intel, today After Effects runs only on Leopard and Intel. I'm in the middle of shooting a low/no budget feature fully out of my own pocket and need all the horsepower I can get from existing equipment and aps. I own a Macbook pro and Shake 4.1 (and FCP 5/Motion 2) runs fine on it too, but my G5 is where I can really get work done and now, with assets like Video Copilot's Action Essentials 2 and Shake/Motion I don't have to go broke (use credit) to finish my film and get it out there. For what it's worth, hope this helps...Carey

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Used to create the world's most celebrated visual effects, Shake now runs natively on both PowerPC and Intel-based Macs, at a price that fits almost any production budget. Extend Final Cut Studio with Shake and take advantage of an integrated workflow that puts sophisticated 3D compositing, keying, image tracking, smooth stabilization and more at your fingertips. For a powerful graphics and effects combination, Motion 2 projects can be dropped directly into Shake without rendering or rendered using the shared OpenEXR format for film quality reproduction. Now every Final Cut Studio editor can have the power to create worlds beyond imagination.

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Istopmotion 2 Review

Istopmotion 2
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This is a fun little program, that's easy enough to use for kids, but has a lot of flexibility for more serious users. I've mostly played around with this making little animated movies with my kids like the one I've included here, which was made entirely in iStopMotion2, but you can export the files to edit further and add sound effects and such in other programs like iMovie and Final Cut Pro.
The basic idea is that you take a picture, then move the object to be animated slightly, then take another picture, then move again. You can decide how many frames per second you want to shoot. Obviously, more frames per second can produce less jerky animation, but it also requires much more patience and control. I like to stick to about 15 frames per second.
For photo inputs you can either use a live source or you can import stills from any camera. With a live source you can either shoot stills one at a time or shoot continuously, at intervals you select. For example you could have your camera shoot every 3 seconds, which would give you time to make a quick adjustment to your clay figure and then move your hand out of the way. If you mess up, you could just stop and delete the messed up frames.
A live camera source is easiest, since the program can show you an "onion skin," or a transparent layer from the last frame in the animation that serves as a reference point to figure out how far to adjust the next. It should be noted that not all camcorders can be hooked up as a live source to Macs - and this isn't really the fault of this program it has to do with the way the Mac is set up. Of course you can use the built in webcam on most Macs as a live source, but that's not always very convenient since you'd have to point the screen at the object you're animating and then you'd be interacting with the keyboard and would want to be sure to get your hands out of the way before taking a still. Any other webcam that you can use for live video chat on your Mac will work with this program, and you can also hook it up to any webcam that is compatible with your Mac or any Firewire based camcorder. As of now the program doesn't have any way of supporting live inputs from most HD camcorders, since they usually connect to the computer with USB ports and not firewire. At least, I'm not able to hook up my Canon VIXIA HFS10 and record "live" from it. Instead, I'm using an older miniDV camera I'd had around and stopped using when I picked up the newer one.
You can import a soundtrack, or add one later from within an editing program. You can add backgrounds and foregrounds, and while the ones included with the software are really more for kids, you can import anything you like. To add backgrounds, of course, you need to do something like greenscreening, so that you can cut out the background you actually filmed in. There is a "key" function with the program that allows you to select a shade and eliminate it, but I've found it's not as effective as the keying function you'd get in Final Cut Pro or other more dedicated compositing programs. Still, it's good enough for most kids projects, and that's the kind of project you'd really want to complete entirely within this program. For more serious work you'd be better off capturing the basic stop motion here and then exporting it for edit, effects, and soundtrack elsewhere.
Another very valuable feature is that you can set this up for time lapse photography, which would help to create very interesting animations for a science project, for example. One very cool feature is the "Rotoscope/Lip-Sync" function. What that allows you to do is, say, shoot a video of someone speaking a line that you want to include in your stopmotion video, and then import that video so you can see it side by side with your animation. You can then animate the mouth to match closely to the movements of the speaker in the video. You could also use this to match, say, the movements of a doll to the movements of a dancer, or match the walk of a clay figure to the movements of a real person walking. It's very useful.
About this video: it was very easy to set up and the whole thing took maybe 10 minutes to complete. Obviously you can do much more sophisticated animation with this software than I've done here, and if you look it up online you'll find some very cool examples of what can be done. I did this just to show what you can accomplish in a very short time, with very little forethought or planning. Not a brilliant idea, but I was writing this review and thought a quick animation would be valuable as an example. I didn't have any clay or toys with me, which is what my kids and I have mostly used at home, but then I noticed a poor little styrofoam cup and realized I could document its destruction. Enjoy!

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Apple Final Cut Studio 2 - Old Version Review

Apple Final Cut Studio 2 - Old Version
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I like Final Cut Pro, I like Motion, and I like LiveType. But it is as if they were written by 3 different companies who didn't expect them to work together. And sadly, this version is no different. Still if you are doing editing on Apple hardware Final Cut Studio 2 is your best choice.
This program is for the every-day editor/user, not for casual users as the learning curve is way out there. Add to that the inconsistencies between the "Studio" products and you have more learning curve issues. Sadly, the video editor which bares the studio name Final Cut Pro, is the one tool that could have used a contemporary face lift and yet it had only what I would call "point release" quality updates. Whereas Motion (which was the most user-friend and modern interface) got huge new features that are outstanding.

It seems to ne that Final Cut may be at the end of what software engineers can do with the Final Cut Pro editor itself without a complete rewrite from the grown up. But then they stand the chance of alienating their current legacy users; and as we've seen with iMovie 2008, Apple isn't too smart when it comes to cleverly updating video editing workflows.
Unfortunately, I still have to resort to using iMovie from time to time to capture video since it always captures anything from any camera, and then import it into Final Cut Pro. Whereas Final Cut Pro often imports without a problem 60 to 80 percent of the time. The other times you can spend an entire day trying to select the right "Easy Setup" to capture video. Why or why Apple does it not capture as easily as iMovie ('06)?
Is it worth an upgrade fee? Well sure if you're in the business it isn't that much of an expense. If you're counting your pennies, however (if you only do wedding videos for example and don't need the latest and greatest) you are really not missing anything by staying with the previous version. If you are considering this vs Adobe, well I'd go with Final Cut Studio and get a copy of Adobe After Effects (the CS3 version is very cool) and you'll have the best tools available for the Apple platform.


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Final Cut Studio 2 helps take you beyond mere editing. With the intuitive power of new creative tools you can rapidly move through editing to motion graphics, audio editing and mixing, color grading, and deliveryall as a natural extension of the work you already do.

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Write Brothers Dramatica Pro 4 (Win/Mac) Review

Write Brothers Dramatica Pro 4 (Win/Mac)
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I bought this program 2.5 years ago and have been using it to create plots for novels, short stories, etc. Versions 2 and 3 were tedious and full of technical jargon, which kept me looking at their dictionary of terms. I snatched up version 4 immediately because of one feature. They added a toggle switch which converts all the technicality into layman's terms. So, it's easier to understand, thus easier to use.For those of you who are not familiar with Dramatica, it is a creative writing tool which helps you decide where your story is going by asking you certain questions about plot, themes, character motivation, and story dynamics.It offers you two ways to do this: the short version (50 questions), which only takes you a day, or the long version (200+ questions), which could take you up to a week. This program doesn't write your story for you; it makes you think. And, it can give you ideas which you may have never considered before. To me, it's well worth the price.

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Got a story in mind? How about an idea for a story? Either way, Dramatica Pro acts as your creative-writing partner. The software takes you to a story-development environment, where you'll solve the plot and character problems that prevent many good stories from becoming good enough to sell. Dramatica's StoryGuide assists you from the initial idea all the way through to completed narrative treatment, inspiring you and supporting you along the way.

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