Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Avid Media Composer Software Academic (Student/Educator ID Required For Purchase) Review

Avid Media Composer Software Academic (Student/Educator ID Required For Purchase)
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If you are serious about becoming a legit editor, this is the program to get, and if you don't have the money for say Avid Adrenaline or Avid Nitrous , this is perfect for you. I started off working with Final Cut Pro and soon switched over to Avid. The overall layout and editing style is more professional than Final Cut or any of the other cheaper programs (I started out on Sony Vegas). I am defiantly not trying to play favorites, but if you want to be a serious editor, you should know AS MANY editing programs as possible, and for the money, this is WORTH it.

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Adobe Premiere 6.0 Review

Adobe Premiere 6.0
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With this application and a suitably powerful computer you can create sophisticated videos that not too long ago would have taken about thirty thousand dollars to produce with tape machines, a vision mixer, and sundry peripherals.
Premiere 6.0 can handle all the cut or transition edits, apply rolling titles / credits, and add soundtracks. The resulting production can then be exported to tape or a variety of computer files such as AVI, MPEG, QuickTime, and RealMedia. Premiere 6.0 can also work directly over fireWire with a DV machine for importing and exporting video. Very handy.
The RealMedia export option is worth pursuing, since it's the fastest to render out. On my Celeron 500 with 128 MB of RAM, a six minute clip takes about forty minutes to render an RM file, all the others taking about two hours and forty minutes. The RealMedia option does require a little bit of setting up to avoid disappointing video quality if you stick to it's default selections.
...
My only real gripe is the sketchy help guide, with many pages too large for the viewing window. Why can't the purveyors of PDF do a decent Acrobat manual like they do with that application, instead? Go figure.

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Adobe Premiere 6.0 is a powerful and surprisingly easy-to-use professional video-editing tool. This latest version comfortably closes the gap between DV and Web, and has new support for DV on the Windows platform and cross-platform support for all of the leading Web video formats. Premiere 6.0 provides direct support for IEEE 1394 (FireWire/i.Link) on both Windows and Mac OS. By using only the DV port on your hard drive, an IEEE 1394 connection, and your DV camcorder, you get perfect digital video in Premiere 6.0 every time. Premiere 6.0 offers built-in support for all types of DV devices, ranging from consumer to professional. By simply connecting a DV device to the IEEE 1394 port on a Windows or Macintosh computer, you can capture DV clips and begin editing right away. On a computer with an IEEE 1394 port, there's no need to install additional hardware, such as a video-capture card. Just select the appropriate DV-device manufacturer and model in the Device Control dialog box, and Premiere 6.0 assigns the video-input settings that are appropriate to that device--making the video-capture process more precise. Premiere 6.0's Movie Capture window now includes a Settings tab and a Logging tab. By using the Settings tab, you can view and edit video-capture settings, change the capture location, and set device-control preferences. By using the Logging tab, you can log video clips quickly, set In and Out points, name clips and reels, batch-capture multiple logged video clips effortlessly, and add comments about each clip.
Adobe Premiere 6.0 includes three (automatically installed) plug-ins for exporting an individual clip, a segment of the Timeline, or the entire program to a Web-optimized file format. When you have finished editing your video program, select one of the following Web-export options: Save for Web, Advanced RealMedia Export, or Windows Media Export (Windows only). By choosing one of these options, you will open the respective plug-in dialog box, in which you can specify format information for your exported file. The Save for Web menu command exports the Timeline directly into a special version of Terran Interactive's Media Cleaner software, which is customized especially for Premiere 6.0. With Advanced Windows Media Export, you can take advantage of a wide range of formatting options for the most precise output control in the Windows Media format. Advanced RealMedia Export provides precise output control, and thereby offers greater flexibility. RealMedia files (containing both RealVideo and RealAudio) can be streamed from the Web or downloaded to a hard disk, and played by using the RealPlayer application. Also included in this release is the ability to embed Web markers in your video files, which markers could include links to HTML pages, or to chapters in a QuickTime movie or DVD. By using these markers, you can develop streaming videos that automatically launch Web pages at precise points during playback. You can specify a frame target, to designate where the Web content will appear.
Other new features in Adobe Premiere 6.0 include a professional audio-mixing tool; a new Storyboard window, with an Automate to Timeline command; enhanced Monitor and Timeline windows; and improved project management. For added power and functionality, Premiere 6.0 offers better effect support, the ability to create customizable workspaces, and complete integration with other Adobe applications like Photoshop, After Effects, and GoLive.

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Digital Image Suite 9 Review

Digital Image Suite 9
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I have used several programs like ACDSee, Adobe Elements, Photoshop Album, and Photoshop 7 and some other photo editing and organization programs.
I like the ease and simplicity that ACDSee offers. It is fast and stable with some basic editing features built in.
I like the advanced features of Adobe Elements 2.0. But I don't have the time or desire to become an expert to be able to use it.
I think overall, the Digital Image Suite 9 package is a nice balance. It's fast, clean, kind of intuitive, and you get a full featured package with enough advanced features to keep most people happy.
One reviewer said this product did not have 48 bit support, only 24 bit. Well guess what...no other editing packages provide support for 48 bit! Just recently, Photoshop CS is the first product to provide true 48 bit support.
I have my own business and wanted to whip up a corporate logo fast. I spent days exploring and trying to figure out Adobe Elements. I bought a beginners book, and dedicated 4 straight days to it. It got me nowhere. I took the book back and decided not to purchase a full version of Elements.
I borrowed this program from a friend, tried it and banged out a corporate logo in 2 days. I bought this program and I have been happy with it. However, I have no desire to develop my photo editing skills since my business is in computer networks, not photo editing. I do take photos of client locations so I can plan cabling and setups. I use this program for quickie editing and then I am done.
Overall, the novice/beginner will appreciate the simplicity, the tutorials and integration between all components. The price seems fair too. If your desires grow, you can always advance to something like Photoshop Elements or CS.

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CorelDRAW Premium Suite X5 Review

CorelDRAW Premium Suite X5
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First, the disclaimer. Yes, I received this via Amazon Vine and received it for free. I review all my items via Vine as if I actually purchased them myself.
CorelDRAW Premium Suite actually contains 3 separate software packages. CorelDRAW Graphics Suite X5, Corel VideoStudio Pro X3 and WinZip 14 Plus (Standard). It actually contains WinZip 14.5 but the Plus is the only equivalent I could find on Amazon's website.
After reading my review, if you are still undecided, Corel is good enough to actually offer a 30 day free, fully functional trial which you can download over the Internet. Just do a Google search(or your preferred search engine) for CorelDRAW Premium Suite X5 and you should be taken to the Corel X5 website where you can download the free trials. Just a warning though, the download sizes are pretty large.
My first advice, once you've decided on purchasing the software, is to be careful what you click on while installing or opening an application for the first time; ASSUMING YOU DOWNLOAD IT (if you don't download it, ignore the following as it doesn't happen on the disc version). They ask during installation to install Google Chrome/Google Toolbar, neither of which will do anything for the included application suite. You can install them if you want, but it kind of annoys me that a person would be expected to spend upwards of $650 (Corel's MSRP) for the software, only to also have Corel include the added revenue stream of advertising for Google. That's just a pet peeve of mine and your mileage will vary.
Included in Graphics Suite X5 (the main part of the application) are:
Corel Capture X5 - This program is pretty cool. It takes a little learning, but it allows you to capture all sorts of different inputs. You can perform simple screen shots, do a screen capture of a small area of the screen and even create video files of animation. The latter would be useful for creating say, documentation for a process on the PC that is perhaps easier to show than to explain. Very nice indeed!
Corel Connect - This is a tool that will search your hard drive for content that can be used in any of the Corel Suite applications. It can be as limited or robust as you want it to be in terms of thoroughness of the search. Once you find the content you want to use, you drag and drop it to the bottom of the screen and you can choose which Corel Suite application you want to open it with from there.
Corel Photo Paint X5 - Wow. This is Corel's answer to Adobe Photoshop CS5. Having never actually used the latest version of PhotoShop CS5, I can only compare the power of Photo Paint X5 to my copy of Adobe Photoshop Elements 8 [OLD VERSION]. And it definitely blows that out of the water with ease in terms of features and capability. The only other Photoshop I've used is version 6 and this easily bests that as well... but it SHOULD because it is almost 10 years newer than that version of Photoshop.
With Photo Paint X5 you will, if you've used any flavor of Photoshop new or old, have to get adjusted to terminology differences. Instead of layers Corel calls them "Masks." There are similar differences throughout; perhaps Adobe has copyrights on those terms? I don't know.
Of all the applications in the Suite, this is by far my favorite. It allows you to make all sorts of edits to photographs, add endless effects to it, touch up photographs and anything else you could possibly want to do with a photo editor. If you're just a beginner or hobbyist, this might be too much for you starting out, which is why the video tutorials Corel includes are AWESOME additions to the set. I'll get more on that later on down the review.
Corel Draw X5 - Again; wow. This is Corel's answer to Adobe Illustrator CS5. I've personally never used Illustrator for anything other than one off playing and can't do a real hard comparison for you on this; hopefully someone else can do this for readers?
In terms of what Draw X5 does, you can create just about any graphic your heart may desire (assuming you have the skill, which sadly, I do not). This program allows you to do vector illustration, page layout, tracing and Web graphics with ease. It is feature rich and the quick start option you receive when first opening the application is rather helpful in trying to explain how to get to work. Also really helpful for the beginner is the inclusion of the Hints bar on the right side of the screen, which provides links to the things they believe you will want to know while creating your graphics.
Duplexing Wizard - this is just a tool to help you duplex (double sided printing) on printers that don't offer that option in hardware. It has a use, but as my printer does hardware duplex printing, I don't have much use for it. If you don't have that luxury though, setting up manual duplex printing with this application is pretty simple. A nice addition that you may or may not find a use for. If you already know how to do manual duplex printing with your printer, then it probably doesn't have much use at all.
Corel Video Studio X3 - This is the one "disappointing" piece in this Suite. This would be Corel's answer to, I believe, Adobe Premiere Elements 9 (Win/Mac). It doesn't seem to be as feature rich as the Draw and Paint applications. It is useful, but not as robust, in my opinion, as what is offered in Paint and Draw. That's why it's disappointing, not because I think it is a bad application. Just more basic than the other pieces in the suite.
What Video Studio X3 does is allow you to edit video and turn them into just about any output you can imagine. You can output to DVD, Blu Ray, YouTube, Vimeo and even export to "Mobile Device" (iPod, PSP, Mobile Phone and Windows Pocket PC). This is a nice option as you can also use X3 to convert home videos to use with your mobile device.
You can import from several devices, such as a digital camcorder and you can even import from DVD (assuming it isn't copy protected).
One thing missing from X3 is the Hints bar that both Draw and Paint include, which is disappointing. It isn't entirely intuitive. You won't be installing this and getting off to a running start, unless you have previous experience with another Video Studio version.
WinZip 14.5 - what can I say, it's a program used to create Zip files. Most PCs come with the capability to create them right out of the box. So what does this offer that your host operating system may not? Well, it is more fully featured. It has a drag and drop style interface and can also more highly compress, supposedly, whatever content you throw at it... assuming you are willing to use the zipx format instead of zip. The problem with the zipx format is that if you send a file to someone with say, Windows 7, they will need something other than the built in zip file feature to open it (probably need a copy of WinZip, of course). This can be kind of annoying if you frequently share compressed Zip files with people.
You can also, if you so desire, encrypt your zip files (can't do that out of the box in Windows for sure), create self extracting zip files (useful for those people above who don't have zipx file opening capability), multipart zip files (multiple zip files that you can set the maximum size of each part of the file; this was useful when we had only floppy discs but in the era of the ubiquitous DVD/CD burner or USB storage device, the usefulness is limited) and you can choose the level of compression.
WinZip is nice, but it's not something I'd buy separately in all honesty. Especially with an MSRP of $50. $10? Sure. $50? No way.
Swish MiniMax2 - create Flash video animations. It's simplistic and doesn't come with a huge host of information. I don't have much use for Flash video creation so I didn't spend much time with it.
Website Creator - Another simplistic offering, but sort of useful if you have to build a functional, basic site from "scratch" quickly. It is functional, and it seems to offer a large amount of customizability, but it isn't easy and intuitive to setup quickly. At least it wasn't/hasn't been for me.
Swish Max 3 - A fuller featured version of Swish. There are a couple of examples of what you can do with it, but it seems focused more on banner ads than anything else. I'm not good at using it, so I can't make more comment than this. It doesn't seem to be intuitive, which is why I didn't get up and running right from the start, which is kind of disappointing. In the scope of the package though, at best this and Swish MiniMax would drop the value of the package by a miniscule amount; you don't buy this suite for Flash video creation.All of the above being said, another very, very nice feature included with this package is video tutorials for Paint and Draw. If you've ever wanted to know how to use a feature in a program but have a difficult time following text based instructions, you'll enjoy this feature immensely. Just about every feature in Draw and Paint have video tutorials available. I don't know if Adobe offers similar options with it's current packages, but back in the day this is the type of thing Adobe would have charged extra for and it...Read more›

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CorelDRAW Premium Suite X5 is premium design software that opens you up to new web possibilities, while supporting traditional illustration, tracing and graphic design needs with new and enhanced tools. Built on the renowned CorelDRAW Graphics Suite X5, it introduces website creation, video editing, and flash animation software, so you can engage your audience with greater impact than ever before! Build standout websites with the help of dozens of templates and site styles. Create interactive flash animations with over 350 built-in multimedia effects. Even edit video and quickly create high-definition movies with 30 creative templates. Now you can do even more than you thought possible!
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Vegas Movie Studio 8 Platinum Edition Review

Vegas Movie Studio 8 Platinum Edition
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This video editor is able to read .VOB file from DVD's created from VCR tapes, making it great for editing the old family videos. The display is quite customizable and easy to spread over two monitors. There is a small learning curve, but the "Show Me How" help a lot. The only things that detract from this is (1) the lack of a comprehensive noise reduction facility (Sony has this as a pricey plug-in, but then, none of the other video editors in this price range has this feature), and (2) the DVD creation software is not integrated in with the editor (although it is included in the package). But don't buy this software just on our say-so, download the 30 day free trial from the Sony web site and make sure it works for you before you buy.
[...]

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Vegas Movie Studio software is the easiest way to create captivating movies and slideshows to share with friends and family or online. Integrated DVD authoring.

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Adobe Photoshop Extended CS5 Review

Adobe Photoshop Extended CS5
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Photoshop has for a long time been the top-of-the-line photo editing program on both PCs and Macs. We had a student version on an old iMac back when my wife and I were students, but when I upgraded to a Macbook Pro I picked up Elements instead of full-blown Photoshop. It seemed to do everything I could imagine wanting to do with photos and more.
I never imagined you could do what you can with the latest version of Photoshop, though. If you've ever thought about upgrading to the full version of Photoshop, now would be the time, especially if you are a student and can get the student price, or if you can get the upgrade price. Some of the features on this new version are nothing short of astonishing.
First of all, it can do all the usual adjusting and layering and touch up and effects, and seems to do them better than ever. It appears to be quite stable, and very fast, possibly owing to the new 64-bit support on CS5. I've been working with Photoshop CS5 Extended every day for a few weeks (on a Macbook Pro, OS 10.6.3, 28GHz, 4GB Ram) and haven't had any problems or glitches. It installed without a hitch and runs nicely. No slow downs, no hangups, no crashing.
One thing I like is that when you open another program in Mac, the photoshop tools and utilities windows hide out of the way until you go back into it. Final Cut doesn't do that, for example, which means that if I'm working on Final Cut I need to move my windows out of the way to get at other things, or use Spaces and set my apps on different spaces windows in order to be productive.
There are three basic parts to the Photoshop package: an organizer (Adobe Bridge), a non-destructive photo adjuster (Adobe Raw, which is designed for RAW format photos but works on JPEGs as well), and an editor (Photoshop, which does ordinary adjustments and tweaks but also works with layers and masks and an inexhaustible array of effects to allow you to do pretty much anything you could possibly imagine with your photos).
What's new in CS5?
Mini Bridge - in addition to the ordinary Bridge program that helps organize your photos (and other files for use with other CS5 programs), Photoshop includes the Mini Bridge that functions like a bridge app that opens within photoshop itself. It only works, though, if Bridge is already open.
Refine edge - Photoshop's selection tools are already pretty astonishing, and with the new refine edge tools (that work both for selections and for masks) they've gotten much more sophisticated, allowing you to fine tune selections in pretty amazing ways. For example with frizzy hair, where you can see through the hair at the edges to a background, refine edge can usually allow you to select just the hair and not the background. There's even a tool that allows you to get rid of reflections from the background on the subject. When I do green screen photography, it's always difficult to avoid getting some green light bounce on the perimeter of the subject. What's truly amazing is that with Photoshop's selection tools and refine edge, you really don't even need to use the green screen because you can replace the background of most photos without it.
New painting options - there are a whole range of new brushes you can paint with and each brush can be adjusted for thickness and stiffness, and several other properties that make photoshop into a true painting program, and allow you to use painting to either modify existing photos or create original artworks. The coolest painting feature is the "Mixer Brush" that allows you to treat a photograph as if it were covered in wet paint and to either paint from it as if it were a palette or to mix other colors with the existing colors on the photo.
3D & Puppet Warp - you can take a photo and make it into a 3-D postcard that can be rotated and re-oriented however you like. Additionally you can create three dimensional objects or make elements of photographs into 3-D objects so you can experiment with different ways of laying them out. Puppet Warp allows you to take an object and move its elements around - turning a head or raising an arm for example.
Improved HDR Pro Support - you can shoot photos with a range of exposures and it will bring them together in a single shot that captures all the nuance you want; you can then adjust these in case you want, say, to flatten the shadows or want less nuance in the highlights of a certain area in the photo. Note that this can even work if you don't have a tripod and just eyeball the frames, since the program will automatically detect the overlap regions. Pretty cool.
Content Aware Fill - of course the most astonishing feature of CS5 is the content aware fill. CS4 (and Photoshop Express 9) already had the content aware transform that allows you to shrink a photo and let it know which parts you don't want warped and which parts you'd like to lose. Content Aware fill is like a mixture between that function and the healing brush tool. You can select, say, a piece of garbage on the lawn in an otherwise nice photo, then fill it with content aware fill and Photoshop will reconstruct a seamless piece of lawn turf in the place of the garbage. You can get rid of a stranger who wandered into your frame without doing any cropping or resizing (provided that the background that needs to be filled in is not too complicated). You can even fill in gaps in a panorama shot (where you take a few photos in order to get an expanded range). Some of this would be possible already with older versions of Photoshop but would take hours; but some of the things you can do with this tool are simply magical. (For a quick illustration of how it works, see the brief attached video).
Online Review Feature - another new thing that would be quite handy for the professional user, or for someone collaborating with others artistically, is the online review function. Basically it allows you to upload the latest version of your image and notify others it's there. They can then go into the image and post comments, both general comments and comments tied to specific parts of the photo, and then those comments appear ready to review and read by the original poster.
Summing Up
This is not really a beginner's program. For those who want to just tweak exposure and color balance, stick with iPhoto or something simple. For slightly more complicated fixes, but with a smaller learning curve, stick to something like Photoshop Elements. If you really want to work magic with your photos, though, and if you're willing to put in some serious time trying things out (and going through the seemingly endless tutorials online) - or if you already know Photoshop or Elements and you know how much time it can take to do some of the fixes that the Content Aware tool can solve in seconds, you really ought to check out this latest version of Photoshop. It's pretty amazing.


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Adobe Photoshop CS5 Extended software helps you create the ultimate images for print, the web, and video. Enjoy all the state-of-the-art editing, compositing, and painting capabilities in industry-standard Photoshop CS5, and experience fast performance thanks to cross-platform 64-bit support. Also create 3D extrusions for logos, artwork, and motion graphics; edit 3D objects with advanced tools; and create and enhance motion-based content.

Create powerful images with the professional standard
3D extrusions Easily explore new creative directions: Create 3D logos and artwork with Adobe Repoussé technology. Twist, rotate, extrude, bevel, and inflate these designs, and then apply rich materials like chrome, glass, and cork.
Advanced 3D editing capabilities Push your creative boundaries with powerful 3D editing tools--even paint directly on 3D objects. Add 3D objects to your designs and create amazing composites. Illuminate your scene with real lighting, and animate your objects.
Motion content editing Paint, add text, and clone over multiple frames of an imported video sequence using your favorite Photoshop tools.
Easy access to core editing power Get just the tools you need--exactly when you need them--when performing common editing activities. Adjustments and Masks panels guide you in making precise edits.
Extraordinary creative tools Achieve realistic painting effects with the ability to mix colors on canvas and create natural brushstrokes. Merge multiple exposures into stunning high dynamic range (HDR) images. Move, remove, warp, or stretch any image element.
State-of-the-art photography Easily merge multiple exposures to extend the dynamic range with more power, precision, and fidelity than ever before. Convert to black-and-white in new ways. And use Dodge, Burn, and Sponge tools that intelligently preserve color and tone details.
Image analysis Use measurement and counting tools to extract quantitative information from images. Record and export data for further analysis. Import DICOM files as frames or as a volume to directly analyze and edit your image data.
Industry-leading raw image processing Enjoy superior results when you convert raw images with the Camera Raw 6 plug-in, which offers support for over 275 camera models plus nondestructive editing so you can experiment without harming your original photo.
Automated compositing tools Easily create a single image from a series of shots that have different focal points, smoothly blending color and shading and extending your depth of field. And take advantage of accurate, automatic layer alignment.
Efficient media management Manage your media visually with Adobe Bridge CS5 software. Enjoy more flexible batch renaming plus the ability to access files in the context of your work using the customizable Adobe Mini Bridge panel.
Powerful printing options Get outstanding prints in less time with automation, scripting, and a print dialog box that's easier to navigate.
Broad file format support Import and export hundreds of file formats, including PSD, AI, PDF, NEF, CRW, TIFF, BMP, Cineon, JPEG, JPEG2000, FXG, OpenEXR, PNG, Targa, DICOM, OBJ, KMZ, Collada, U3D, 3DS (import only), 3G, FLC, MOV, AVI, DV Stream, Image Sequence, MPEG-4, and FLV.
Extensibility Personalize Photoshop and extend its capabilities. Use developer-created custom panels to accomplish specific tasks. Visit the Adobe Photoshop Marketplace for third-party plug-ins and resources. And check out Adobe Community Help for tips and tricks.
Adobe Photoshop Lightroom integration Enjoy tight integration with Adobe Photoshop Lightroom software (sold separately), easily moving files from Lightroom to Photoshop CS5 to create HDR images, panoramas, and multilayered Photoshop documents. Roundtrip your files back to Lightroom.
Top new features of Photoshop CS5 and Photoshop CS5 Extended
Intelligent selection technology Photoshop CS5 takes the time and frustration out of making precise image selections and masks, providing you a faster way to extract subjects from their backgrounds and create realistic composites. New intelligent selection technology offers better edge detection and faster, more accurate masking results of complex subjects, like hair. Automatic color decontamination helps you eliminate background color around the edges of a selection, resulting in more seamless compositions when placing extracted subjects on new backgrounds.
Experienced Photoshop users know that the best selections are created by constantly adapting the selection technique for differences in the subject's edges--one method for hair and another for the edge of a building. With Photoshop CS5, you can produce highly accurate masks and selections faster and more simply than before with a set of new adaptive selection-edge modification controls. Smart Radius automatically matches the best selection approach with the subject's changing edge characteristics, and the extra view modes assist you in previewing the quality of your selections. The Refine Radius and Erase Refinements tools customize your masks and selections as you make them. These tools, in combination with the color decontamination settings, help eliminate any residual background color from around the edges of your selections.
Content‐Aware Fill One of the most exciting new features in Photoshop CS5 is the remarkable ability to remove an image element and magically replace it with details that match the lighting, tone, and noise of the surrounding area so that it looks like the content never existed. Now, you can make substantial changes to photo composition quickly and easily, as even large complex subjects can be seamlessly erased.
You can use Content-Aware Fill with the Spot Healing Brush or as an option of the Fill feature to replace content in an active selection. Selecting the Content-Aware setting with the Spot Healing brush changes the way the tool fills in the areas you paint. This retouching approach is designed to account more fully for the structure and detail of the image elements that surround the painted area, providing a near-invisible result when removing unwanted objects. Alternatively, you can select the object to be removed, and then replace the area with synthesized details from the area surrounding the selection, simply by using the Content-Aware option in the Fill dialog box.
HDR Pro for creativity and precision with the next generation of high dynamic range imaging With just a few clicks, you can go beyond the capture capabilities of your camera by combining multiple exposures into a single high dynamic range (HDR) photo that preserves the full tonal range of a scene with high contrast. Photoshop CS5 introduces HDR Pro for more control over the HDR merging process and greater adjustment power over the mapping of tones and the styling of HDR output, resulting in images that range from photorealistic to highly surreal.
HDR Pro offers extended controls, an enhanced dialog box, and improved image processing. New algorithms enable more accurate alignment of source files and automatically deghost any problem areas that occur when trying to merge source photos where subjects have moved during capture. You can even select a source file to be used as the sole reference for any ghosted areas or allow the feature to do this automatically for you.
New tone-mapping tools and adjustment controls give you the power to implement your own HDR vision, producing photos that range in style from fully textured images of high-contrast scenes to wildly hyper-realistic creations. Save your favorite styles as presets and apply them to multiple groups of source files to provide a common look and feel to your HDR photos. And for times when you don't have multiple source files, create the look of an HDR-processed image from a single photo with the new HDR Toning feature that allows you to mimic the tone-mapping results traditionally achieved in high dynamic range photos.
Together with the existing Photomerge feature (which allows for image stitching), the exposure-merging capabilities of HDR Pro can add up to high-bit-depth, 360-degree panoramas ideal for composite photography, video, and beyond.
The Auto Stack Panorama/HDR files option in Adobe Bridge CS5 and the new panelized Mini Bridge groups source files together into stacks for quicker creation of HDR images in Photoshop CS5. You can even start the creation of an HDR file by choosing Tools > Merge To HDR from the Mini Bridge panel inside Photoshop.
State-of-the-art raw-image processing The Adobe Camera Raw 6 plug-in, which ships with Photoshop CS5, now supports more than 275 camera models as it continues to provide you with the industry-leading conversion of raw files. In addition, the utility provides advanced, nondestructive image editing and enhancement for raw files, as well as for other standard formats, including JPEG and TIFF. Now you can remove noise, achieve better quality sharpening, and creatively apply new styles of vignettes and film-like grain.
You can now shoot at higher ISO settings with confidence, because the updated controls in the Adobe Camera Raw 6 plug-in remove the noise common in such high-ISO images (as well as in photos captured with long exposures and pictures from consumer cameras) while still preserving excellent color and detail.
New controls for adding grain and additional post-crop vignetting settings join many creative options already available in this utility, such as the Adjustment Brush and the Graduated Filter. For the first time, you can add grain-like texture to photos as part of your nondestructive editing workflow. Adjust amount, size, and roughness of grain to easily give composites a more natural, seamless appearance by matching levels of grain across all source images--or simply use the feature to make a digital photo look more organic or film-like.
Updated post-crop vignetting options offer more creative control over the corner darkening and lightening process, and your favorite vignette effects can be saved as presets for quick application across multiple files.
Upgraded sharpening options produce clearer photos with fewer artifacts while providing better control over key details, especially when working with high-resolution pictures produced by multi-megapixel cameras.
Extraordinary painting effects With a new Mixer Brush, a Bristle Tips feature, and a new mechanism for blending colors, Photoshop CS5 redefines the way you paint. You can take advantage of more natural and realistic painting effects, making it easy to take your imagery and designs in new artistic directions.
The Mixer Brush lets you define multiple colors on a single tip, and then mix and blend them with the underlying hues on your canvas, achieving creative results that rival traditional painting media. When starting with a photo original, you can use a dry, empty brush to blend the existing colors while at the same time adding a painterly effect to the image. Mixer Brush settings provide extensive control over the wetness of the canvas colors, the load rate that determines amount of paint loaded on the brush, the mixing rate between brush and canvas colors, and whether the brush is refilled, cleaned, or both after each painting stroke.
In conjunction with these new mixing features, Photoshop CS5 incorporates unprecedented control over stroke characteristics of its painting tools with Bristle Tips. Bristle Qualities define key bristle properties such as shape, length, stiffness, thickness, angle, and spacing, which affect how the color is laid on the image as you paint.
The Bristle Brush Preview feature provides a visual representation of these changes, and you can save your tip configurations for future use, allowing you to build a customized collection of Bristle Tips to experiment with when using Photoshop brush tools.
Puppet Warp Puppet Warp gives you more freedom when pushing and pulling elements within an image. The feature lets you recompose an image to make it more appealing, or to fit a specific layout, by allowing the precise repositioning of any element within a Photoshop document, or selection, by simply clicking and dragging. After you reposition an object, Photoshop adjusts the rest of the image to account for the shifted pixels.
After choosing Edit > Puppet Warp, click on your image to drop pins establishing anchor points where you want image parts not to move, and handles that you can use for warping. Then drag any of the pins to reposition the picture elements. Use Puppet Warp to swing a raised arm to a person's side, warp and stretch text to create new effects, or reposition intrusive objects in a photo to create a more pleasing composition.
Automated lens correction The Lens Correction features in Photoshop CS5 create better quality captures by removing or correcting the three most common lens-based errors: geometric distortion, chromatic aberration, and vignetting. This means you can use a wider range of lenses with the confidence of producing images of the highest quality. With the aid of the Adobe Lens Profile Creator (available separately as a free download from labs.adobe.com) you can produce custom profiles characterizing the optical aberrations of your camera lenses. When installed and selected in the Lens Correction filter in Photoshop CS5, the profile automatically removes or corrects the three types of distortion.
The Lens Correction filter in Photoshop CS5 is redesigned to include manual adjustment controls under the Custom tab, and settings for locating and applying custom Lens Correction Profiles (LCP files) under a new Auto Correction tab. Installed profiles that match your camera and lens combination are used to apply precise distortion corrections to your photos. Suitable profiles can be located easily based on the EXIF data automatically recorded with the image, and if a suitable profile is not present in the Lens Correction filter, then with a single click within the dialog box, you can search online for the correct profile to meet your needs.
Individual error types can be selected in the filter's settings, as can options for handling any transparent areas that surround the corrected image.
Easy 3D extrusions with Adobe Repoussé (Photoshop CS5 Extended only) Repoussé is an ancient metalworking technique for embossing artwork on the surface of metals such as gold, silver, copper, tin, and bronze. Photoshop Extended offers a powerful new feature, inspired by this traditional technique, for creating eye-catching 3D artwork.
Use Adobe Repoussé to easily convert 2D artwork into 3D objects and then create depth by altering the extrusion properties of the 3D model. Easily extrude text to create logos and 3D artwork for use in websites, video frames, or layouts.
Starting with a text layer, a path, a selection, or a layer mask, you can convert the content to 3D with the Create New 3D Object section of the 3D panel. After the conversion is complete, you can alter the look of your 3D model by manipulating its key extrusion properties--depth, scale, bend, shear, inflate, or twist--in the Repoussé dialog box.
In addition to manipulating these properties, you can inflate the front or back of the extrusion and/or apply a custom bevel. Sections of objects (internal subpaths) can also be inflated by creating a selection first and then adjusting the Internal Constraints settings in the Repoussé dialog box. The 3D Axis widget allows on canvas rotation of the of the model
Enhanced 3D realism and rich materials (Photoshop CS5 Extended only) Bring your 3D creations to life with the materials that ship with Photoshop CS5 Extended. You can select materials from the library of included presets, download additional materials by choosing 3D > Browse 3D Content, create your own, or even edit existing materials to customize them for your needs (in the materials section of the 3D panel). Test a variety of looks for your 3D models and extruded designs by adding different materials or textures to their surfaces. Materials that feature reflection or refraction properties can be rendered with the new Adobe Ray Tracer engine. The Repoussé dialog box, and the Materials section of the 3D panel, both contain options for applying a single material to all surfaces—as well as choosing different treatments--for individual sections and surfaces of your models
Use the 3D Material Drop tool and the Material Load tool to easily load a material and drop it into different meshes, allowing you to sample and apply materials interactively. New overlay controls provide instant feedback about where specific materials and meshes are located in your model, and the updated 3D axis widget now works with lights and cameras as well as 3D objects.
With the Shadow Catcher feature, you can now easily generate a shadow on the ground plane of a scene, and then adjust how the shadow interacts with image content of other layers by altering its opacity and its softness. To further enhance realism, you can use an HDR image to light your scene, or re-create traditional depth-of-field effects in your rendered scene by adjusting the zone of sharpness with the new Distance and Blur controls.
Better 3D performance and workflow (Photoshop CS5 Extended only) Take advantage of better performance and immediate rendering feedback thanks to the improved Adobe Ray Tracer (ART) engine in Photoshop CS5 Extended. ART 2.0 brings substantial improvements in performance when you interact with and edit 3D models. ART 2.0 progressively renders 3D scenes with an option to re-render after a pause, or even perform selective renderings, all while providing more immediate feedback and dramatically reducing the time it takes to preview key areas in high quality.
You also get faster previews and more responsive interaction thanks to changes made in the OpenGL engine, which now fast-tracks the delivery of complex 3D geometry to the video card. Overall workflow performance has been optimized with improved import, interaction speeds, and better merging of 3D objects into a single scene. To aid with fine-tuning and adjustment of these performance features, there is a new 3D section in Preferences.
User-inspired productivity enhancements Photoshop CS5 helps boost productivity and creativity throughout the editing workflow with dozens of enhancements inspired by Photoshop users. Some of these include:
A neutral-density preset for the Gradient tool
The ability to save 16-bit Photoshop documents in 8-bit JPEG format in a single step
An option for reversing the clone source using the flip buttons in the Clone Source panel
A Don't Show This Message Again option when saving files with maximum compatibility
Default value for Shadows/Highlights changed from 50% to 35%
The ability to move a selection while the active layer is hidden
An on/off option for trackpad gesture support on Mac and in Microsoft Windows 7
A new layer command for deleting all empty layers via scripts
A Straighten button on the Ruler tool options bar
A Close All Open Images Without Saving option
A Save As option for always defaulting to the folder to which you last saved an image
The ability to drag and drop a file onto an open Photoshop document to create a new layer
Multiple improvements in Lens Correction filter options, including:
Grid Display is off by default
Show Grid, Grid Size, and Grid Color settings are now sticky
Default grid size is increased from 16 to 64 pixels
Decimal point adjustments are allowed as values for the Chromatic Aberration sliders
A third Chromatic Aberration slider enables the correction of green/magenta fringing
The Background Color Edge setting is replaced with the Black Color entry
A White Color option is available in the Edge menu
Reset options are changed so that only the calibration settings are reset, not the Grid options

A new Cache Tile Size control in the Performance section of the Preferences dialog box
Zoom in and out with the new scrubby zoom tool
Presets for setting Cache Tile Size and Cache Levels simultaneously
The ability to use keystrokes to set values in the Adjustments panel text fields
Performance increases of up to 50% when importing OBJ files
Sample colors faster using the new on screen color ring built into the eyedropper tool
Customizable default values for Layer styles
New creative resources, including actions, tools, presets, brushes, swatches, shapes, gradients, styles, and tool presets
Window and Door shapes added to list of meshes that can be created from a layer
An option for changing the opacity of multiple selected layers
The ability to create a mask from the transparent areas of a layer
Pick colors faster using the new on-screen color HUD
Print settings saved with the image file, allowing one-button printing with user-selected values
Selecting a printer automatically lists the profiles installed for that printer at the top of the profile list
Printer-specific profiles are selected automatically when choosing a printer
Customized print settings can be recorded as part of a Photoshop Action
An overlay grid can be displayed when using the Crop tool
Layer groups can be nested more than five levels deep
New Paste Outside and Paste Inside commands, along with the previously existing Paste In Place option, are included in a new Edit > Paste Special menu

Streamlined creative reviews through integration with Adobe CS ReviewCollaborate with colleagues and seek client comment quickly and easily with Adobe CS Review, a new CS Live online service* designed to simplify and accelerate the design review process.
With CS Review, you can avoid the hassles of large email attachments, logon problems with FTP servers, and time-consuming next-day air deliveries usually associated with client reviews by instead initiating a secure, shared review. Comments are displayed in near-real time and in context, providing convenient feedback on your images and designs. You can access the CS Review service from within Photoshop CS5.
Faster performance with cross-platform native 64-bit support Tight deadlines and large file sizes make performance a high priority for many Photoshop users. Photoshop CS5 and Photoshop CS5 Extended deliver cross-platform 64-bit support, allowing you to perform day-to-day imaging tasks up to 10 times faster. Video and photo professionals, especially, benefit from the extra performance, as gains are even greater if you regularly work with very large files, where processing can be up to ten times faster when you take advantage of higher addressable RAM amounts--limited only by what your hardware accommodates.
To help you tweak the performance of your setup, Photoshop CS5 lets you adjust history, tile, and cache controls in combination.
Greater access to key resources via flexible custom panels Photoshop CS5 offers easy ways to integrate and extend your workspace with customized panels. With the aid of the Configurator 2.0 panel utility (available separately as a download from labs.adobe.com) you can produce your own panels, bringing together your most used tools and menu selections and incorporating your favorite web feeds or video tutorials.
Stay connected to the greater Photoshop community and all facets of your digital life directly from within Photoshop CS5 by using panels you create or those produced and distributed by other users. You can access anything that lives on the web--favorite blogs, video content, even your email--with these integrated panels. You can even expand content beyond a panel's standard viewing area when you need a magnified view.
Easier interface management with Live Workspaces and Workspace Switcher Creating dedicated, task-specific workspaces that mimic your individual workflow increases productivity and efficiency by hiding the features you don't use and exposing the ones you do. New Live Workspaces auto-save any changes you make to a task-specific workspace, so that if you switch to a different workspace and then back again during an editing session, your panels remain exactly where you left them. The number of entries displayed in the collapsible Workspace Switcher can be altered, and the position of each workspace can be rearranged. This provides quicker navigation between frequently used setups.
Superior black-and-white conversion Photoshop CS5 continues to support the tradition of producing finely crafted monochrome photos with the inclusion of new ways to explore an endless variety of black-and-white looks. You can use the integrated Lab Black & White Technique action, located in the Default Actions group of the Actions panel, for an easy and interactive way to convert color images. Create gorgeous HDR black-and-whites with greater ease and speed by taking advantage of the new and updated features in HDR Pro. Take your monochrome creations in new directions with conversion presets in the Black & White panel.

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Sony Vegas Movie Studio + DVD Review

Sony Vegas Movie Studio + DVD
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I was overwhelmed with the choices of consumer video editing software, but took a chance on the Sony Vegas Movie Studio + DVD software. I am not disappointed. It's the best piece of software I've bought in years!
The software comes with two CDs: one for video editing, and one for architecting and burning a DVD. The software installs quickly and easily, with the software license key contained within the product manual.
The video editing software opens up into a video editing workstation display. As soon as the software opens for the first time, there is a window offering a guided tour of the product. I strongly suggest the investment of five minutes to understand the layout and controls.
There is a video capture menu option, that works nicely with Sony Mini-DV camcorders. I'm using a PCR-109 camcorder attached by a Firewire cable, and software commands the camcorder. I suggest using the "Capture Tape" button rather than the "Capture Video" button, as it automatically rewinds the tape before capturing and labeling each video clip. It stores the video files in your "My Document" folder by default, and also makes a shortcut in the Vegas Project Media tab within the Vegas software. When the capture is done, press the square "stop" button on the screen, and you have your video clips ready for editing.
There are six tracks by default arranged under a timeline ruler, which runs from left to right: (a) text, (b) video overlay, (c) main video, (d) main audio, (e) music and (f) sound effects. All you do is drag the files from the Project Media window to the track main video track. Or, you can select a file from another folder by using the "Explorer" tab within Vegas to locate the folder and file you want. You can drag the tracks around, positioning them to the left or right, and you're free to move the video to the video overlay or text track. You can pan the audio left or right, and adjust the master audio level up or down on each track.
You can easily select sections of the clips, then press the delete key to delete that portion from the final product. Deleting a section does not affect the original video clip in your "My Documents" folder.
There's a preview window in the lower right corner, where you can easily watch how your edited product is coming along. While watching the preview, you can click anywhere on the timeline and press the triangle "play" button, and your preview instantly jumps to that part of the video. Editing and previewing is very quick and convenient.
The neatest feature is the ease of fading in and out. For fading in, just click and hold on the upper left hand corner of the video (or audio) clip. Wait a moment for the arrow cursor to change to the "fade" cursor, then gently drag it to the right. You'll see a blue curve appear over the video segment, representing the amount of fade in time you want. Drag it to the desired amount (say one second), and let go. That's it! You now have one second of fade-in. If you right click on that portion, it brings up a menu where you can select the types of fade-in -- whether you want a linear fade, or more like an S-curve fade that's fast or slow. To make it fade out, do the same on the upper right hand corner of the segment.
If you drag the video clip and overlap the ends of two segments - one that has a fade out, followed by one that has a fade in - you get a nice one second dissolve from clip 1 to clip 2. By controlling the amount of overlap and the amount of fade, you have easy and fabulous control of the transitions.
The multiple video tracks and overlays are simple but powerful features.
There is a "Text" feature where you can easily type in a text title slide like you would for a Powerpoint presentation. Slide the text box between the clips to give the clips a title.
If you put a video clip on the "Video Overlay" track, it displaces the main video - so you can use this track to overlay a shorter, close-up video into the main video while preserving the main timeline and audio. I used this feature for a birthday party video to overlay a close-up shot of dad and baby daughter onto the main party video clip of music, guests and laughter. You can insert video clips, text titles or JPEG files.
The PCR-109 has an ability while the video is being taken to snap a screen shot frame onto Memory Stick. So, when I tell the group to "smile on the count of three, 1, 2, 3" and snap that choice pose, I can position that .JPEG file on the video overlay track and have that pose overlay linger on the screen while the rest of the audio track continues. There's controls on the tracks that you can set the video intensity to 100% or something less that you can make it look like a ghost or dream if that's what you want. You can apply the fade-in/fade-out to the text and video overlays as well. These are really powerful techniques, and it's done very simply and easily.
There's an "insert marker" feature where you can mark and title chapters within the video before you render it. The chapter titles are automatically made available to the DVD Architect program. There is a button in the DVD Architect program that will automatically generate a series of menu pages with thumbnails and chapter titles.
You can render the video into a number of formats, including MPEG2 (for DVDs). One needs lots of CPU speed to render the videos. I'm running it on a Pentium D 830, 3.0 Ghz Dual Core system with 1 GB of RAM and a 4x DVD burner. I find I can render a 60 minute video into MPEG2 in about 50 minutes. Once I define the layout of the DVD, it can prepare the DVD image and burn that 60 minute video onto a blank DVD about 25 minutes. I'm keeping this PC clean of extraneous software to ensure Vegas runs well without software conflicts.
The DVD Architect is less intuitive. I had difficulty making a DVD menu button for the finished movie. By default, it uses the first frame of the video as the image for the button. I can drag and drop the MPEG file onto the layout of the DVD menu, (which creates the active button on the menu of the DVD). I finally discovered that if I then dragged and dropped overlay a .JPEG image file captured from the video (you do that in the preview window of the video editor program) over that button, I can change the appearance of that button to be a scene from the video that I really wanted. The menu feature is called "insert object". If I click on that button (using the DVD remote control) on the fnished DVD, it plays that video file.
I previously mentioned the Architect feature "insert scene selection menu", which automagically picks up the markers in the rendered MPEG video, pulls out the chapter titles, makes the thumbnails, places the titles below the thumbnails, and sets up the navigation. It's smart enough to make multiple menu pages, if needed. All at the click of one button. Very nice.
I can see that I can set the start point for the video to be something other than the menu on the DVD, and even put a video introduction leader to the DVD before displaying the main menu -- but I haven't done that yet.
The Architect program is smart enough to track changes and only reprepare the items you've changed since you created the last DVD. So, if you want to replace one video segment with a newer version, it'll only prepare the DVD changes for that one video segment.
That's all you really need to know to get started. Within a few hours, I've formatted several DVDs of home videos and really, really enjoy crafting it to come out the way I want it. It's way better than some of the freebie software that comes with Windows or DVD burners. This video editor comes with 1,001 sound effects, which I've yet to fully explore. I've only scratched the surface with the basic features and I know there's way more sophistication in the menus and FX features. Have done it the hard way in the past with reel-to-reel video recorders, this is awesome and pure heaven!

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Adobe Premiere Elements 4 Review

Adobe Premiere Elements 4
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Adobe Premiere Elements 4 is the best of the 2007 enthusiast-level video editing software packages on the market... but that really isn't saying much. Media editing on the PC is EXTREMELY frustrating because ALL of the software at the hobbyist/enthusiast level is either 1) buggy, 2) difficult to use, or 3) both. In fact, it is hard to say that Premiere Elements 4 is the "best" of the 2007-released programs out there; it would be more accurate to say that the other video editors that came out in 2007 perform at levels lower than PE4. A few examples include...
Sony Vegas Movie Studio 8 - Confusing and counter-intuitive interface as well as incompatibility with certain OS-aspects and hardware make this editor a no-go for most.
Pinnacle Studio 11 - Extremely buggy, poor rendering, and reports of system corruption (??? check out the reviews and newsgroup posts!) will keep most away.
Windows Movie Maker - Version 6 (or three if you aren't going by OS numbering) isn't available for XP... just Vista. 6 doesn't have the power and versatility of Premiere Elements, but it is vastly improved over the XP version. Windows Movie Maker 6 is worth checking if you have Vista, because most version of the OS get it for free (XP also contains the older version of both it and Media Encoder).
Roxio Easy Media Creator Suite 10 - Roxio, best known for DVD and CD burning software, adds media editing to their suite. Sadly, it crashes so often that it creates more frustration than fun. Almost non-existant tech support and months without a patch are signs that this is software to avoid.
You'd think it would be easy to recommend Premiere Elements 4 with such poor competition, but it is not. On release, PE4 has shown itself to be buggy. During the first three days I used it, the program crashed four times and even erased all of the editing I had saved during one event. Turning off auto-saves helped, as did only importing one file at a time (rather than an entire folder). PE3 had somewhat similar crash issues before it was patched, but eventually became extremely stable (Adobe has decent support for their releases, unlike some companies). PE4 also lacks some of the encoding features many of us would have liked - you can't capture from most cards, and the getting video from DV and harddrive camcorders can be hit-or-miss depending on your specific hardware and whether or not it is supported. Finally, PE4 does not support numerous file types "straight out of the box" that it probably should (the best example of this is .flv "flash" files that PE4 can create but that it can not edit nor import).
What's good about PE4? When it works, the interface is easy to understand and work with. The video files produced tend to be top-notch, and there are a lot of "advanced" options for new users to grow into. There are numerous plug-ins available to expand the power of the software, and many support avenues are available (including books, newsgroups, and discussion lists). DVD burning is built in, simple, professional-looking, and can be improved upon if Photoshop Elements is used (Photoshop can build DVD menu templates). There are some great effects that can be used, and you don't have to have a degree in video editing to learn how to use them. There is also a decent (but not complete) range of pre-set file-saving options to choose from, including QuickTime, Windows Media, AVI, MPEG, Flash, and various mobile products.
Summary: Premiere Elements 4 is the best of the 2007 video editing releases, but it is still buggy and could use improvement. I'd recommend waiting for the first major patch before buying, but if you really need video editing software, try downloading the demo from http://www.adobe.com/products/premiereel/ and seeing if it is right for you (it was available at the time of this writing. Note that many of the other products mentioned also have demo versions available, too).
For those thinking of upgrading from Premiere Elements 3: Once patched, I never had a problem with PE3 crashing - not so with PE4. Wait for Adobe to release a decent patch before upgrading (it was not available at the time of this writing, but it may be up now - check the site). The new look of PE4s interface is nice, but PE3s wasn't bad, either. The new features range from pointless to moderately useful, but aren't groundbreaking: Beat detection (useful in rare instances), improved audio mixer (nice!), ability to burn to Blu-Ray, upload to YouTube function (pointless), improved keyframe control (can be VERY useful), and various new settings/save options (very useful) are included.

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Item #: N39517. Adobe Premiere Elements 4.0 software makes creating and sharing impressive home videos a snap. Burn your footage to DVD in simple steps, complete with a DVD menu and scene index, or easily assemble your movie by rearranging clips with drag-and-drop simplicity. And share your movies on DVD, the web, mobile phones, and virtually anywhere else. Product Description: Adobe Premiere Elements - ( v. 4.0 ) - complete packageCategory: Creativity applicationSubcategory: Creativity - video editing & productionVersion: 4.0License Type: Complete packageLicense Qty: 1 userLicense Pricing: StandardLanguage(s): Universal EnglishPlatform: WindowsDistribution Media: DVD-ROM ( mini-box )Package Type: Retail Customers also search for: Discount Adobe Premiere Elements - ( V. 4.0 ) - Complete Package, Buy Adobe Premiere Elements - ( V. 4.0 ) - Complete Package, Wholesale Adobe Premiere Elements - ( V. 4.0 ) - Complete Package, 0883919136127, 25530473, Digital Imaging Software

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Camtasia Studio Version 7/Snagit Version 10 Bundle Review

Camtasia Studio Version 7/Snagit Version 10 Bundle
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Camtasia Studio 7 is a super-powerful, but easy to use software for recording business presentations, PowerPoint shows and webcasts. But its value doesn't stop there. Think about using it for your next travel movie or vacation slide show.
For years, I had used Camtasia's earlier versions in a corporate environment. We used it to record presentations and then repurpose them as webcasts and on-line videos. It is wonderfully adept at such tasks, even allowing the presenter to add quizzes and surveys to the production, making it suitable for on-line learning. The quizzes are even SCORM compliant, meaning they comply to educational record-keeping standards.
But recently, while testing some new helmet-cam equipment, I encountered video with a proprietary format. Try as I did, I could not get it to play back in Premiere, Premiere Elements or QuicktimePro. I began looking for other packages that could edit the video when I thought about Camtasia 7.
Sure enough, Camtasia took in the odd 320x240 clip with nothing other than a warning that it used 16k audio and was liable to sound strange. No problem...sounded fine and looked okay as well. Check out my video for just some of the Camtasia's potential. Or click here, to watch an overview on TechSmith's site.
Camtasia will allow you to mix various video formats and sizes on the same timeline without complaining. It can handle video and digital stills up to 1280x1024.
Since then, I've done a dozen recordings with Camtasia Studio 7 and have been wildly enthusiastic about it. The timeline is straight forward and it gives you all the standard editing tools you'll probably ever need. To watch a short video and read more of this review, click here[...]

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Sony Vegas 7 + DVD Production Suite Review

Sony Vegas 7 + DVD Production Suite
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I own an HDV camcorder. I want to edit in HDV and I've used Premiere Pro 1.5 to do it, however the two-step import process (including a potentially lossy conversion) frustrated me.
Happy with the workflow and features of Premiere Pro, I tried the trial download of 2.0 first. For one thing, it refused under any circumstances to recognize my HDR-FX1 camcorder (which is on its compatibility list) in HDV mode (despite appropriate iLink conversion and HDV VCR settings). Freeware applications like CapDVHS worked fine, so I finally gave up after trying Premiere Pro 2.0 on two machines. (Nevermind the trouble I had with the trial expiring on the same day I installed it.)
Avid Liquid, aside from taking over my desktop theme and demanding all-or-nothing of my screen real estate did successfully capture HDV video without extra configuration. Unfortunately, that video was ultimately uneditable since Liquid would not let me render anything but the center quarter of the video frame. I imagine there was a setting or view of the process I was missing, but my choices for output were so limited I gave up on Avid as well.
Finally, Vegas captured the HDV video witout complaint (or a single dropped frame), allowed me to edit it together with a soundtrack generated in Sony Acid and a variety of imagery, and rendered in a wide selection of formats which are broadly compatible (even at HD resolutions). I spent less time installing Vegas, capturing video, and finishing my edit than I spent just getting the other two selections set up.
Adobe has received my last dollar. Sony (or whoever they purchased the technology from) seems to have gotten editing software right, at last.

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Adobe Creative Suite 5 Production Premium Student & Teacher Edition Review

Adobe Creative Suite 5 Production Premium Student and Teacher Edition
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The Adobe Creative Suite 5 Production Premium Package has nearly everything you need for high quality, professional-level post-production work as an independent filmmaker. For students and educators who can get it at an educational discount, it's a no-brainer, but even while the retail price may sound expensive it's astonishing what you can get for the price and what you can do with it. (It's easy to justify shelling out thousands for the latest prosumer camcorder, but equally important are the tools for turning your raw footage into something that can be shared with an audience. As far as I can tell, this is the best comprehensive package of tools available for the motion graphics creator). If you have a computer that can run 64-bit applications, this package will basically turn your computer into a sophisticated post-production studio with the ability to create nearly anything you can imagine with images, photos, and video. All you need to add is a bit of creative talent, and a lot of willingness to learn, because these are sophisticated programs with a lot of features, that take experience and practice to use well. You can create animation (even interactive animation) with Flash and Flash Catalyst; you can create drawings and paintings with Illustrator; you can take photos and enhance them or even transform them into something completely new with Photoshop Extended (which also has some fairly sophisticated video and 3-d capabilities), you can edit footage together into a coherent narrative with Premiere Pro, and you can add realistic and fantastic effects and titles with After Effects, and you can fine tune the music and sound mix with Soundbooth, and can create dynamic dvds to distribute your work in Encore. All of the programs play very nice with each other (and have similar features so that once you've learned one you're on your way to learning another), and some allow you to import projects from other programs without rendering them, and also to go back into the original program and edit the project and have the changes appear automatically in the new program.
While I've had a chance to play around with all of these programs in the couple of months since their release, the ones I've spent the most time with are Photoshop Extended, Premiere Pro, and After Effects, which I consider to be the core programs of this package, the ones that really show what you can do with it. Some of the highlights of the new release are: (1) obviously, the Content Aware fill and enhanced selection tools in Photoshop, that give you a greater degree of control than ever before, and allow you to get rid of distracting elements or apply effects selectively, without destroying the realistic tone of a photograph; (2) in Premiere Pro what excites me most is the ease with which it allows you to work with a wide range of formats, without converting them first; the ability to work directly with my AVCHD files has been a decisive factor for me in moving all of my new editing projects over to Premiere Pro from Final Cut; along with this, Premiere Pro has its new Mercury Playback engine that really helps to streamline the editing process, and allows me to preview adjustments automatically, without constantly having to stop and render things before I can see what I've done; (3) one very cool new feature in the CS5 package is that you can open up Final Cut Pro XML files in Premiere Pro, and from there you can open them up in After Effects, as I understand it always used to be much more difficult to get Final Cut Pro project files into After Effects, which was one of the reasons I never really jumped on After Effects until now; (4) After Effects enables you to achieve some very sophisticated and professional results, and its performance is better than ever; but the real standout in the newest version is the Roto Brush, that is basically a sophisticated video selection device, that allows you to isolate moving elements (such as a person) from a video clip so that you can apply selective effects to those elements, or place them in a new background entirely. It's not totally automatic, and requires some finessing (basically you have to make your selection and then it makes a series of very good frame by frame guesses as to what is happening to your selected element over time, and when it makes a mistake you have to fix it and keep going from there).
All of these programs demand some learning, but from what I've seen so far the results are worth it. I'm still effectively a beginner with these programs but I've a lot of fun learning them, and am very excited with what I've been able to accomplish in a short time. After Effects, especially, is an amazing and delightful piece of software, and I love the way it integrates so easily with the other programs in the Production Suite. While I'd used Photoshop and Premiere somewhat before the latest release, and only had a chance to spend a little time with early versions of After Effects, I find this latest version to be a massive upgrade and the most important new features seem to be focused on the needs of the independent media producer, whether it's a photographer who is beginning to work with video or a videographer who is becoming dissatisfied with the limits of doing most of their post-production work on a non-linear editor with limited ability to create sophisticated effects. A quick search on the internet shows that lots of young people already know the power of these tools for creating effects work that is comparable to that seen in big budget professional productions. Highly recommended.
By the way, one final thing I should mention is that Adobe has a very talented team of professionals who create the help files for each of the programs and who are active in the support forums, and available to give artistic and technical support. Nearly any problem you might face has been asked about and answered on the Adobe Forums, and any question that is posted gets a quick response. Plus, as suggested above, there are hosts of amateur and professional users who have posted advice and video tutorials for free all over the web. Just like when you buy a car you should take a look at the dealership, when you buy a piece of software you have to consider the support network behind it to help you get the most of it, and so far I've been very happy with the level of enthusiasm and support that Adobe seems to put behind their products, especially on the technical and creative side.

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New Adobe Creative Suite 5 Production Premium software and supporting resources build the skills students need for the rapidly changing filmmaking, broadcasting, and video post-production industries. Students and educators can more easily use the latest tapeless workflows and work fluidly in HD--with the support of a standards-aligned curriculum and professional development resources. CS5 performance enhancements--including 64-bit operating system support and GPU acceleration--give students more time to experiment. Through integration with Production Premium, students and educators can access Adobe Story, a new Adobe CS Live online service, to speed up production by streamlining scriptwriting and shooting. Flexible volume licensing programs and low pricing for students and educators make Adobe Creative Suite 5 Production Premium affordable for institutions of all sizes.

Use high-performance production tools to create engaging content for virtually any screen
Comprehensive, best-of-breed video production environmentWork faster as you tackle a broad spectrum of planning, production, and post-production tasks. Each component of Production Premium works smoothly with other components thanks to timesaving integration, roundtrip editing with other NLEs, and faster Adobe Dynamic Link performance.
Native 64-bit performance and the new Adobe Mercury Playback EngineWork fluidly at HD and higher resolutions with native 64-bit support in Adobe After Effects CS5, Photoshop CS5 Extended, and Adobe Premiere Pro CS5. The new Mercury Playback Engine is native 64 bit and GPU accelerated* and provides rock-solid performance and stability, even at 4K resolution and beyond. Open projects rapidly, and create multilayer, effects-rich sequences without rendering.
* Supported NVIDIA graphics cards for GPU acceleration include Quadro CX (Windows), Quadro FX 3800 (Windows), Quadro FX 4800 (Windows and Mac OS), Quadro FX 5800 (Windows), and GeForce GTX 285 (Windows and Mac OS). For an up-to-date list of supported cards, visit www.adobe.com/go/64bitsupport.
Broad format support in Adobe Premiere ProExperience the industry's best tapeless workflow while working with virtually any format including DV, HDV, RED, DPX, Sony XDCAM, XDCAM 50, XDCAM EX and XDCAM HD, Panasonic P2, DVCPRO HD, AVCHD, and AVC-Intra. Edit video from DSLR cameras such as the Canon 5D Mark II and 7D; Nikon D90, D300s, and D3000; and others.
Richer, more compelling 2D and 3D images with Adobe Photoshop ExtendedExport video sequences from Photoshop Extended and import them into After Effects, Adobe Premiere Pro, and Adobe Encore. Work with new painting tools; make complex selections more easily; and create 3D logos from text, masks, or vectors.
Compositing and animation tools in Adobe After EffectsDesign groundbreaking motion graphics and blockbuster visual effects with industry-standard After Effects. Get everything you need to create opening titles, animated graphics, and visual effects or to create and move images in 3D space.
Roundtrip editing and streamlined collaborationMove projects back and forth between Adobe Premiere Pro and Final Cut Pro or Avid editing software. Accelerate workflows by taking advantage of integration with new Adobe CS Live online services, such as Adobe Story for developing scripts. CS Live online services are complimentary for a limited time--visit www.adobe.com/go/cslive for details.
Script-to-screen workflow through integration with Adobe StorySpeed up production and post-production through integration with Adobe Story, a collaborative scriptwriting tool that's part of CS Live online services. Integrated metadata support makes it easy to create shot lists in Adobe OnLocation and rough cuts in Adobe Premiere Pro. CS Live online services are complimentary for a limited time--visit www.adobe.com/go/cslive for details.
Editing efficiency through metadataAdd intelligence to your assets using innovative metadata features that make editing and compositing easier, and raise the value of your content when it is distributed online.
Encoding and delivery for screens everywhereBatch encode source files to a broad selection of formats that meet a variety of standards with Adobe Media Encoder. Author once in Encore CS5 for DVDs, Blu-ray discs, and searchable web DVDs. Preview and test content for mobile phones and other devices in Adobe Device Central.
Pristine audio creation in Adobe SoundboothUse Soundbooth to accomplish everyday audio tasks quickly while maintaining high-quality results and creative control. Remove noise from a recording, polish voiceovers, customize music to fit a production, and much more.
Interactive design with Adobe Flash Catalyst or Flash ProfessionalDesign interactive online video portfolios without writing code using Flash Catalyst, a new interaction design tool. Easily add video to sophisticated interactive experiences with a flexible, industry-standard workflow in Flash Professional.
Adobe Premiere Pro CS5--Accelerate production with the new Adobe Mercury Playback EngineCraft your story efficiently with Adobe Premiere Pro CS5 software, the high-performance video production solution that enables you to work dramatically faster thanks to the native 64-bit, GPU-accelerated Adobe Mercury Playback Engine. Edit natively with the video formats you want. Save time by batch encoding source content to a wide variety of video formats for web, disc, broadcast, film, device, and mobile delivery. Easily exchange projects with Final Cut Pro and Avid software, and enjoy efficient, collaborative workflows that accelerate production from scriptwriting to editing, encoding, and final delivery.

Improve your production workflowFocus on telling your story with powerful, flexible editing tools. With the native 64-bit Adobe Mercury Playback Engine, the industry's best native tapeless workflow, and unparalleled Adobe integration, Adobe Premiere Pro CS5 sets a new standard in editing efficiency.
Collaborate openly and effectivelyWork in an open, extensible post-production environment. Write scripts collaboratively. Efficiently gather feedback from clients and teammates. Easily exchange projects with other Adobe software, Final Cut Pro, and Avid software.
Deliver engaging video practically anywhereCreate video optimized for online viewing as well as for broadcast, disc, film, device, and mobile distribution. From capture to final delivery, use metadata to make assets easier to find in production, create engaging interactive experiences, and help audiences discover your videos online.
Adobe After Effects CS5--Create motion graphics and visual effects with the industry standardAdobe After Effects CS5 delivers the visual richness required to get noticed in today's media culture. Use open-ended creative tools. Work efficiently on high-resolution projects thanks to native 64-bit support. And benefit from tight integration with Adobe's other leading software. Whether you're working in film, broadcast, online, or mobile media, Adobe After Effects enables you to create groundbreaking motion graphics and blockbuster visual effects.

Get 64-bit performanceWork more quickly with groundbreaking 64-bit performance that dramatically improves the experience of creating HD and higher resolution content. Streamlined tools and tight Adobe integration also accelerate your workflow.
Innovate visuallyExpress your visual ideas with freedom. Adobe After Effects CS5 revolutionizes motion design with an open-ended environment that fosters creative experimentation.
Composite efficientlyRealize your vision quickly and efficiently by drawing on a broad and deep set of tools designed to help you solve any creative challenge.
Deliver everywhereMaster modern media: Deliver your completed projects to the widest range of formats, from large format feature films and high-definition television to websites and mobile devices.
Adobe Photoshop CS5 Extended--Create powerful images with the professional standardAdobe Photoshop CS5 Extended software helps you create the ultimate images for print, the web, and video. Enjoy all the state-of-the-art editing, compositing, and painting capabilities in industry-standard Photoshop CS5, and experience fast performance thanks to cross-platform 64-bit support. Also create 3D extrusions for logos, artwork, and motion graphics; edit 3D objects with advanced tools; and create and enhance motion-based content.

Innovate in 3DGo beyond traditional image editing by bringing 3D elements to your 2D artwork directly within your favorite digital imaging application, which now offers an easy on-ramp to 3D image creation.
Maximize creative impactExplore new creative possibilities with breakthrough tools that enable you to select, adjust, paint, and recompose images with tremendous precision and freedom.
Boost productivityAccelerate your workflow with fast performance on 64-bit hardware systems, smoother interactions thanks to GPU acceleration, and dozens of time-savers throughout the application.
Adobe Illustrator CS5--Explore new paths with the essential vector toolCreate distinctive designs for any project. Used by creative professionals worldwide, Adobe Illustrator CS5 software provides precision and power. Paint expressively with vectors, draw in perspective, and explore designing for interactivity. Move easily between Illustrator, other Adobe products, and Adobe CS Live online services. Get the job done efficiently but beautifully, moving quickly from multiple ideas to multiple outputs with complete control and delivering exactly what you had in mind.

Design with powerful creative toolsTake advantage of exceptional precision and power to create distinctive vector artwork. Combine highly controllable drawing tools with expressive natural brushes and dramatic effects to make unique, striking designs.
Work smoothly and efficientlySpeed up your workflow with innovations that encourage efficiency. Get the job done with purpose and agility using shortcuts and time-savers to take multiple ideas to multiple outputs.
Deliver virtually anywhereIncorporate vector artwork into essentially any project and deliver resolution-independent graphics across media. Enjoy tighter-than-ever integration with other Adobe products and go anywhere your creativity takes you.
Adobe Flash Catalyst CS5--Create expressive interfaces and interactive content without writing codeAdobe Flash Catalyst CS5 software is an approachable new interaction design tool. Use it to transform Adobe Photoshop, Illustrator, and Fireworks artwork into expressive interfaces and fully interactive content without writing code, and publish as SWF or Adobe AIR files. Collaborate with developers who can open your project files with Adobe Flash Builder software to extend functionality, and leverage the reach and consistency of the Adobe Flash Platform.

Leverage the power of the Adobe Flash Platform to create interactive projectsRapidly create expressive interfaces and interactive content to your exacting design standards. Deliver your creative vision with the reach and consistency of the Adobe Flash Platform.
Approach interaction design without writing codeTransform static designs from Adobe Photoshop, Illustrator, or Fireworks software into fully interactive projects without requiring development or coding skills. Define behaviors and control sophisticated interactions with simple yet powerful menu-based commands.
Speed the design and development processUse familiar design applications to easily create and edit artwork. Developers can open Flash Catalyst projects directly in Adobe Flash Builder software, preserving design fidelity and interactions defined by the designer.
Adobe Flash Professional CS5--Create and deliver rich interactive contentAdobe Flash Professional CS5 software is the industry-leading environment for interactive authoring and delivery of immersive experiences that are presented consistently across personal computers, mobile devices, and screens of virtually any size and resolution. Design expressive content with professional typography and pixel-precise drawing tools, write code precisely and efficiently with code completion and customizable code snippets, and deliver superior-quality video to audiences practically everywhere.

Design with expressionCommunicate your creative vision without sacrifice and set the bar for interactive design with typographic precision, layout fidelity, and expressive motion-editing capabilities.
Write code quickly and easilyQuickly and efficiently write code with powerful authoring tools and integration with Adobe Flash Builder software. Easily add interactivity directly in the ActionScript language by injecting extensible code snippets.
Deliver in fewer steps and in more placesSave time and reduce the number of required steps when moving content from design, to development, and ultimately to delivery. Distribute consistently across personal computers, mobile devices, and screens of virtually any size and resolution.
Adobe Soundbooth CS5--Create and edit audio with easeAdobe Soundbooth CS5 software is a professional audio editor that makes it easy to create, edit, and clean up audio for all your productions. Intuitive, task-based features and tight integration with other Adobe applications save time and help you achieve professional results. Mix royalty-free, customizable soundtracks and sound effects with dialogue in the improved multitrack environment for complete creative control.

Simplify audio workflowsMake short work of everyday audio with a smooth, intuitive workflow that features task-based tools and tight integration with other Adobe Creative Suite Production Premium components.
Fix audio problems fastAutomatically detect and fix common flaws in audio such as hisses, hums, phase problems, crackling, and pops. Add reverb to match on-location room ambience. Match the volume of different dialogue clips.
Create soundtracks easilyDrag and drop Soundbooth Scores to create soundtracks. Make the music fit your visuals with easy adjustments to timing, and suit your project's mood with easy adjustments to intensity, atmosphere, and instrumentation.
Get professional-sounding mixesCombine music, dialogue, and sound effects on multiple tracks. Easily control EQ, volume, pan, and effects on each track using automation. Add mastering effects for final polish.
Locate dialogue quicklyConvert spoken dialogue into searchable text, and use custom dictionaries to increase the accuracy of asset search. Export transcripts to create searchable video.
Searchable web DVDs and other enhancements in Adobe Encore CS5Adobe Encore CS5 software is a versatile, interactive authoring tool for video distribution that allows you to deliver your projects beyond DVD and Blu-ray Disc. In a single operation, you can easily turn your DVD and Blu-ray Disc projects into web DVDs that now include a search interface. The new interface gives viewers a more engaging experience by enabling them to search within a web DVD using keywords. During authoring, Encore automatically creates a search database using metadata from speech-analysis text, subtitles in timelines and slideshows, and menu and button names.
Also new in Encore CS5 is the ability to:
Further enhance the viewing experience by creating web DVDs with a sleek, customizable playback interface that features easy-to-use playback controls and the option to watch HD video in full-screen mode.
Create a smoother experience for viewers when they choose from options across multiple menus on Blu-ray Discs. Browsable multipage menus show options across multiple menu pages without interrupting the playback of audio and video background elements. Multipage menus can be easily created in Adobe Photoshop or directly in Encore.
Working in the Adobe Premiere Pro timeline, you can take 4K projects directly to high-definition Blu-ray Discs using a workflow that maintains the original 4K content all the way to output, when it is finally encoded and scaled. This capability is especially meaningful to video editors and motion graphics and visual effects artists who work on projects at film resolutions.
Experienced Encore users will appreciate the ability to share Encore CS5 projects without worrying about platform compatibility. Encore projects can be moved between Windows and Mac platforms freely, without conversion. Editors and motion graphics and effects artists can benefit from native 24p project support for Blu-ray Disc, DVD, and web DVD titles, complete with 24p timecode in the timeline. (Previously, Encore placed all assets in timelines with a defaultframe rate of 29.97, irrespective of the properties of the assets.)
Continue authoring while you transcode your media assets. Adobe Media Encoder, a separate, 64-bit software application, encodes your files in the background, freeing Encore to process your authoring tasks. This separation of authoring and encoding is particularly important with 4K workflows, which can be taxing on your computer.

Efficient production and tapeless camera support in Adobe OnLocation CS5Adobe OnLocation CS5 provides an impressive array of production tools to help you shoot better and faster while saving time and money, both on set and off. New support for tapeless cameras extend the ways you can use OnLocation in your production workflows.
Spot problems in imported tapeless footage. Thanks to new tapeless camera support, you can use the comprehensive software waveform monitor and vectorscope as well as the audio spectrum analyzer in OnLocation to identify image and audio problems in imported files by quickly scanning your footage for audio pops, clipping, and video overbrights.
Logging with tapeless cameras. Get all the benefits of real-time, on-set logging when working with tapeless cameras. Simply tell OnLocation which shot is currently recording and then enter notes, comments, and additional metadata into placeholder clips. Using timecode as a reference, OnLocation automatically matches the information to the recorded clips when they are imported from the tapeless media, regardless of whether the camera is tethered to OnLocation on-set or whether the clips are imported during post-production.
Faster logging with Turbo Comments. While recording, the new Turbo Comments feature lets you add frequently used words--cast names, sports highlights, and so on--with a single keystroke to log live action accurately, consistently, and efficiently. OnLocation lets you store up to nine comments with unique shortcuts, for immediate, timecode-accurate logging.
Adobe Creative Suite 5 With powerful new creative tools, enhanced performance and workflows, and the ability to integrate with timesaving new Adobe CS Live online services, Adobe Creative Suite 5 software provides the edge you need to create rich content for virtually any media--print, web, interactive, video, audio, and mobile. Whether you need to produce printed pages efficiently or design and distribute engaging content online, on film, on air, and on device, you'll find the right combination of Adobe tools to increase your productivity and keep pace with your creative vision.


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