Showing posts with label sound editing. Show all posts
Showing posts with label sound editing. Show all posts

Audition 3.0 WIN Upgrade Review

Audition 3.0 WIN Upgrade
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I began editing audio using CoolEdit and then progressed to Audition 1 when Adobe bought the company. I was running version 1.5 when I decided to upgrade to 3.0. I should have saved my money.
Audition 3 is much slower to load than 1.5. It does have some nice additions but at the same time it has been a bit unstable on my machine (Windows XP SP2). My screen frequently flickers as Audition updates displays. The audio card configuration seems to change for no reason and I must reset the hardware preferences to get it back.
At the moment I have both 1.5 and 3.0 on my computer and I am trying to work through the issues with 3.0 in hopes of resolving my complaints should they be related to my hardware.
I would rate version 3.0 as a Beta release with issues that should have been resolved before releasing it to the public.

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UPG AUDITION 3 WIN 1U

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Sound Forge Audio Studio 9 Review

Sound Forge Audio Studio 9
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For years I've used different audio editors from Steinberg's Wavelab, to Cool Edit Pro (now owned by Adobe), to Soundforge's current only real rival Audacity (which is free), which I still currently have on PC. I still choose Soundforge (like Willie Hutch sang), and here's why: There is no other affordable audio editing program that has the ease and workflow of Sound Forge.
There are the high end programs and plug ins like TDM Waves, but unless you are running a multi-plantinum artist recording studio you most likely don't need a program like this, and wouldn't get any mileage out of it if you did have it. Soundforge is a good place to hone your audio editing skills. Alot of people always think they have to use the most full blown and expensive versions of audio, music, and video programs, but a good program won't make up for a lack of skills.
That said I currently use Sound Forge Studio with a suite of Sony plug-ins, and some Focusrite Saffire audio plug-ins (which are very good). It should be noted also that Sound Forge Studio 9 has more features than many of the older versions of Sound Forge Pro (which are probably floating around the internet, not recommended). The Vinyl Recording (once you tweek the settings) feature is great, it can use VST and Direct X plug-ins, and it works hand in hand with the other suite of Sony Creative programs (Vegas Studio 9 Sony Vegas Movie Studio 9 Platinum Pro Pack, Acid MusicACID Music Studio 7) which I own.
I've had no problems with installation on both a laptop and desktop, and have mixed and edited my own recordings, converted non-copy protected songs I purchased to MP3s with my own mix settings, and have converted a small part of my vinyl catalog to digital. If someone is having installation problems they should make sure they uninstall all older versions of Sound Forge, especially the old Sonic Foundry versions, that may help...
Sound Forge vs. Audacity
Audacity is a great program and if money is an issue this a good place to start using auditor software, being that its free. There are alot of third party plug-ins available for Audacity, however, for me Audacity does not have the speed and workflow of Sound Forge, and there are many tasks in Sound Forge that are done in one mouse click, that would take multiple clicks in Audacity, it also does not natively support as many file formats as Sound Forge, such as windows media audio, which is a downside for me.
Overall, people may have their pro and cons, and yes the Sony registration can be a bit annoying, but in terms of ease of use and reliability Sound Forge studio has been great.
As a last point, it does take some audio know how to get the most out of SF hence the four stars, you may have to select either Microsoft Sound Mapper (if you don't have a high end soundcard), or use the ASIO drivers (at least under Windows XP) under preferences to get the most out your sound playback. Enjoy.....
Also recommended Steinberg Cubase Essential 4 - Personal Music Production - Windows Macintosh, Ableton Live 7 LE - Windows and Macintosh, Focusrite Saffire LE 6 In/8 Out Version 2 Firewire Audio Interface

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Sound Studio 3: Record, Edit, Add Effects to Audio (Mac) Review

Sound Studio 3: Record, Edit, Add Effects to Audio (Mac)
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I'm primarily interested in converting vinyl to digital and recording and editing FM audio, though lately I've begun to record live music. The colorful, gaudy, comparably-priced Toast/Spin Doctor program may be slightly handier for converting vinyl LPs, but its wave patterns are unreadable and its editing functions too imprecise to be practical for editing a large file. Sound Studio requires a bit more study than Spin Doctor, at least for the uninitiated, but the wave patterns are readable, offering the user more than the merely decorative squiggly lines of the Roxio product. Moreover, it has a reliable and easy-to-set timer for automatic recording, a very useful feature that's missing in Spin Doctor. Finally, it comes packaged with a handy little hard-copy manual--perhaps the reason Roxio's Toast is once again including printed instructions.
As for the recent, heavily promoted Wiretap Studio, it's definitely the program of choice for recording audio files off the internet (I mostly use it to record files from NPR Jazz). And it enables you to preview about a dozen different compression ratios in real time, a unique feature. Moreover, you can record in any compression ratio rather than convert after the fact, which helps insure against exceeding storage capacity while recording. Still I feel more comfortable recording and editing non-internet sound with Sound Studio. The latter offers a bigger display, more accessible wave patterns, better level indicators, more protection against distortion, and makes the saving of a single part of a large unedited file a simple, straightforward operation.
Later: Sound Studio 3 has updated to Sound Studio 3.5, which lists dozens of additional features and add-ons. It's no problem downloading an upgrade from the Freeverse site. The new version does nothing that's different from my old Sound Studio 2, which was practically free as I recall (the price of the present one seems a bit high when compared to the burning and video features of the comparably priced Toast). But the current program has been, for the most part, stable and dependable.
The other program in this price range worth considering is Fission, which appears to have all of the features of Sound Studio plus more reader-friendly instructions and user-friendly icons. The problem with the program is that it requires a separate recording program (Audio Hijack Pro).
Apple, which is always popular with musicians and artists, doesn't appear to offer any programs comparable to the PC favorite, Cool Edit, but Sound Studio may well be the closest for the reasons given. Although the instruction manual is relatively short and accessible, a few more recommendations and tutorials for the neophyte would be welcome. Otherwise, the plethora of settings and effects can soon become overwhelming. For example, is Normalization preferable to the Compressor setting? Is it advisable to use both? When Normalizing, is it better to use the Peak or Average Power (RMS) option? After hours of experimentation, my advice comes down to this: 1. boost the volume a tad if the signal seems to require it; 2. use the wave patterns to cut out the dead spaces, coughs and clams. Trust a decent mic and recorder to do the rest.

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Sound Studio 3 is an easy-to-use Mac OS X application for recording and editing audio digitally to your computer. Digitize vinyl records and tapes, record live performances, create your own mixes with crossfades, tweak the levels and EQ, apply digital, and save in all major file formats with Sound Studio. A perfect accessory to create and customize your own iTunes tracks!

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Sony Acid Pro 5 Review

Sony Acid Pro 5
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I downloaded Acid Pro 5 trial software to test before I purchase. I am using Full Windows XP Pro with Service Pack 2. Even with this trial software, I have had no problems at all that is stated above by SIR.
I am a computer programmer and database administrator by trade. When I installed the trial software, I did notice that Acid is using the desktop version of Microsoft SQL Server 2000 as a database media manager to manage and track files.
In looking at the error listed by SIR, I would say that either the MS SQL desktop application was not installed, or didn't get installed correctly, resulting in the error listed.
For the record, I now have MS SQL 2000 Desktop, MS SQL Server 2000 Developer SP3, and MS SQL Server 2005 Beta 2 currently installed on my computer. If any environment would cause SQL errors with Acid Pro 5 not running correctly, it would be mine.
I have created songs, saved them, and even burned CD's without errors. I plan to purchase Acid in the near future. Hope this was helpful.

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The first loop-based music creation application to put professional studio composition and editing power in the hands of producers at nearly every level of expertise. ACID Pro 5 software also features a complete set of tools we call Fundamentals - the features you need to produce truly professional results.

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Sony Creative Software Sound Forge Audio Studio 10 - 2011 Review

Sony Creative Software Sound Forge Audio Studio 10 - 2011
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I downloaded the trial version of this, and was pretty happy with how it worked. However, after installing the actual version, I get beeps inserted into the recording when I use audio restoration. I submitted a support request, and have heard nothing back in two weeks. I tried following directions I found on their website for a clean uninstall and reinstall (minus the steps involving removing the .NET versions - really? do I want EVERYTHING on my computer to be broken, and have to reinstall?) I purchased this primarily for digitizing old audio recordings (cassette), and I really need the audio restoration feature. This would get 4 or 5 stars without this issue - it's easy to use and worked pretty well. How frustrating that the demo version worked and the actual products doesn't!

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Sony Creative Sound Forge 10 Review

Sony Creative Sound Forge 10
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I am using Sony Sound Forge in conjunction with a Sony RK-G136 Audio Cable and a Sony Walkman WM-FX290W to convert old cassette tapes to CDs by connecting the Walkman to my laptop.
Sound Forge makes it very easy for me to modify and improve the captured audio. You can easily change volume, equalize volume, add fades, remove areas, cut and paste portions of the audio etc. In addition, you can remove background noises such as swishes, and rumble with the built in noise reduction software. If you need to remove addition background noises then let me recommend Bias Sound Soap. This product is amazing when it comes to removing unwanted noise or sounds. I have used it to eliminate backgrounds voices which normally is nearly impossible.
Short Guide to converting a cassette tape to a CD.
First, plug in the RK-G136 cable into the headphone port on the Walkman, and the audio input port on your computer. Next, startup Sound Forge, and click on record and press play on the Walkman. Once you have captured the tape you can eliminate the long lead in by highlighting these areas and pressing delete. Now you can find an area on your audio that has noise and either use Sound Forge noise reduction or Bias Sound Soap to learn this noise and eliminate it throughout your audio. Finally, you are now ready to export your audio to a CD.
With these two software programs you can easily import, edit, cleanup and export clear, high quality audio to a CD in just a few minutes. These two products ability at removing rumble, swishing sounds, background noise, and talking is remarkable.
If you want to cleanup old cassette tapes these four products are indispensable.
Sony RK-G136 Audio Connecting Cord
Sony Walkman WM-FX290W
Sony Sound Forge Pro 10
Bias Sound Soap

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Sound Forge Pro 10 efficiently and reliably provides audio editors and producers complete control over all aspects of audio editing and mastering. Whether in the studio or the field, it is an essential tool for media professionals who need to create and edit audio files with speed and accuracy. With new precise event-based editing, integrated disc-at-once CD burning, professional noise-reduction tools, and pristine audio time stretching, Sound Forge Pro 10 delivers the ultimate all-in-one production suite for professional audio recording and mastering, sound design, audio restoration, and Red Book CD creation. Includes Noise Reduction 2, plus the Mastering Effects Bundle 2 powered by iZotope.


Product Highlights
Pristine sound quality Sound Forge Pro 10 software supports full-resolution 24-bit and 32-bit/64-bit float 192 kHz files for the ultimate in audio fidelity. Capture the subtle overtones and nuances of instruments, vocals, and effect changes.
Precise audio editing Edit mono, stereo, and multichannel audio files (up to 32 channels) to the sample level in real time. Use familiar Windows commands to cut, copy, paste, mix, and crossfade audio. Drag audio between channels and work on one file while processing others in the background.
Powerful audio recording Sound Forge Pro 10 software has a complete set of tools for recording audio. Record directly into your sound card or use the Record Timer to begin and end a session at a specific time and date. Alternatively, you can start recording when a certain audio threshold is reached with Threshold Record Triggering. You can also record and edit multichannel audio files as easily as stereo files.
Effects processing Apply over 40 professional studio effects and processes including Normalize, EQ, Delay, Chorus, Volume, Dynamics, Noise Gate, Pitch Shift, Flange, and Vibrato, and more.
New--Zplane élastique Pro timestretch DirectX plug-in Use the élastique timestretch and pitch shift plug-in for pristine audio quality. Choose from various stretching methods that are tailored to your source audio including Pro, Soloist, and Efficient modes. Monitor and adjust settings while previewing.
VST effect support Native support of VST plug-ins, including parameter automation, expands on the number of effects you can apply to your audio, ultimately increasing your mastering flexibility.
Audio for video Sound Forge Pro 10 software supports multiple video formats including AVI, WMV, and MPEG-1 and MPEG-2. Precisely synchronize audio and video frame by frame. Sound Forge Pro 10 software includes MPEG-2 templates for writing HDV-compliant files at 720p and 1080i resolutions and AVI templates using the CineForm CFHD codec for 720p and 1080i intermediate renders.
New--Event-based editing Audio editing is more efficient and powerful with Sound Forge Pro 10 software. Quickly move and split events, create fades, apply ASR (attack/sustain/release) envelopes and crossfades within in a single data window for more precision. Event-based editing provides an easier way to edit edges and fades and is ideal for precise audio mastering, assembling sketches of a project or to lay out tracks for authoring disc-at-once CDs.
New--Musical instrument file processing Sound Forge Pro 10 software opens, processes, and saves DLS, GigaStudio/GigaSampler, and SoundFont 2.0 musical instrument files, allowing you to add effects and processing to existing samples.
Noise Reduction audio restoration plug-ins Easily restore audio from LPs, cassettes, CDs, and more. The Noise Reduction 2 collection of plug-ins contains Noise Reduction, Audio Restoration, Click and Crackle Removal, and Clipped Peak Restoration. Use these to fix common audio problems such as tape hiss, clicks, and pops, salvage damaged recordings, and give new life to your audio.
New--Integrated disc-at-once CD burning Sound Forge Pro 10 software includes fully integrated disc-at-once (DAO) CD mastering. Generate Red Book compliant disc-at-once premasters of your music suitable for professional replication. Perform full PQ code editing, create live-style CDs, add CD text and metadata, and use high-resolution source audio with precise conversion to Red Book audio. Integrated disc-at-once CD burning results in time savings and provides a more efficient workflow when assembling CD projects.
Acoustic Mirror software plug-in Apply different environments to your audio including bridges, churches, concert halls, modern and classic microphones, and more.
Spectrum analysis tools View frequencies and overtones of different channels within an audio file. The Spectrum Analysis tool shows multiple graphs depending on how many channels are selected. Analyze and see the fundamental frequencies and overtones in your recordings. Monitor audio and effects changes in real time, take multiple snapshots, and overlay views to compare and match frequencies of one file to another.
New--iZotope 64-bit SRC (sample rate conversion) Sound Forge Pro 10 software includes iZotope Sample Rate Conversion (SRC), which is a necessary process when converting material from one sampling rate (such as studio-quality 192 kHz) to another rate (such as CD-quality 44.1 kHz). iZotope SRC utilizes a hybrid low-pass filter design, resulting in pristine audio with less aliasing when resampling audio.
New--iZotope MBIT+ dither (bit-depth conversion) The best-sounding audio requires the highest sample bit depth. Sound Forge Pro 10 software includes iZotope MBIT+ dither. MBIT+ employs psychoacoustic methods to distribute noise into less audible ranges resulting in an improved sound and smoother fades.
New--Interactive Tutorials Spend less time learning and more time mastering using the new integrated tutorials in Sound Forge Pro 10 software. These tutorials provide walkthrough demonstrations of common features and functionality, including DAO CD burning, vinyl recording and restoration for easy analog to digital conversion, and more.
New--Includes Mastering Effects Bundle 2, powered by iZotope Powered by iZotope, the maker of world-class audio mastering tools, this powerful bundle includes six professional audio plug-ins: Mastering EQ, Mastering Reverb, Multiband Compressor, Mastering Limiter, Stereo Imager, and Harmonic Exciter. Use these plug-ins to expertly aster and enhance your audio.
Dolby Digital AC-3 export Use Sound Forge Pro 10 software to export multichannel files in surround AC-3 format using the included Dolby Digital AC-3 plug-in.

Sound Forge Pro 10 Features
Processes
New--iZotope 64-bit SRC (sample rate conversion)
New--iZotope MBIT+ Dither (bit-depth conversion)
Auto Trim/Crop
Mute
Normalize peak or RMS level
Stereo Pan/Expand (supports mid-side mixing)
Graphic, Paragraphic, and Parametric EQ
DC Offset
Resample
Reverse
Graphic Fade with noise-shaping and dithering
Smooth/Enhance
Fade In/Out
Time Compress/Expand
Insert Silence
Volume
Invert/Flip
Bit Depth Converter (to 8-bit, 16-bit, 24-bit, or 32-bit)

Effects
New--Includes Mastering Effects Bundle 2 powered by iZotope
New--élastique Pro timestretch and pitch shift DirectX plug-in
New--Resonant Filter plug-in
VST plug-in effect support
DirectX plug-in effects automation
DirectX Plug-in Manager
Real-time effects previewing
Modeless audio plug-in Chainer
Acoustic Mirror environment simulator
Amplitude Modulation
Chorus
Distortion
Delay/Echo (Simple and Multi-Tap)
Graphic Dynamics
Multi-Band Dynamics
Envelope
Flange/Wah-Wah/Phaser
Gapper/Snipper
Noise Gate
Pitch Bend/Shift
Reverb
Vibrato
Wave Hammer Compressor/Volume Maximizer)

Tools
New--Integrated disc-at-once CD burning
Includes Noise Reduction 2.0
Spectrum Analysis tool
Phase and mono-compatibility meters
Gracenote MusicID technology
Application scripting
Script Editor window
Batch conversion


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M-Audio Pro Tools M-Powered 8 Review

M-Audio Pro Tools M-Powered 8
Average Reviews:

(More customer reviews)
I am running Pro Tools 8 with Windows 7 64-bit and it works great. Yes, there were a few MINOR bugs with the initial release, but Pro Tools has made it very clear that Windows 7 64-bit is not yet officially supported. Their latest update however works PERFECTLY with Win 7 64-bit. In fact, the application runs very smoothly with minimal stress on CPU and memory. I typically use a lot of tracks and plug-ins. To date, this is the best application I've used in terms of system stress and audio quality.
These bad reviews seems to come from rookies who aren't quite sure how to use Pro Tools. Newer audio production apps are geared toward home studio/rookie musicians. Because of this, these same rookies pick up Pro Tools because it's the "industry standard" and immediately go back to SONAR because it's too complex for them. Just give it some time - learn the application and you'll love it.

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Pro Tools M-Powered 8 software puts the industry standard in audio/MIDI production on the fast track, letting you enter the powerful world of Pro Tools on your own terms. Pro Tools M-Powered has the same user interface as Pro Tools|HD and Pro Tools LE, all while expanding your creative hardware options to dozens of M-Audio interfaces. Session compatibility with all current versions of Pro Tools software means that you can easily move your projects between pro, project and mobile personal studios. And at just $299.95 MSRP, anyone can become a member of the Pro Tools community. Pro Tools M-Powered 8 is the serious music production choice for power, compatibility, options and ease of use--without spending serious money.

Real Pro Tools Pro Tools M-Powered is Pro Tools. There are actually three flavors of Pro Tools, all of which share the same user interface and file format. The primary distinction is the hardware they complement. Pro Tools|HD runs on elite DSP-powered Pro Tools|HD hardware. Pro Tools LE works with a variety of Digidesign hardware including the Mbox 2 family. And Pro Tools M-Powered delivers even more options via compatibility with dozens of M-Audio interfaces.
Produce with the Industry Standard--Anywhere, Anytime The combination of M-Audio gear and Pro Tools M-Powered 8 lets you work anywhere, anytime with the industry standard in music production software. Seamlessly collaborate with anybody running any version of a current Pro Tools system, including cross-platform between Windows and Mac OS X. Easily take your projects to just about any recording studio to have it mixed by a pro. Or take your pro studio projects home or on the road with you. With Pro Tools M-Powered, owners of most M-Audio interfaces instantly become members of the largest community of digital audio workstation users in the world.
Flexible and Portable--More Choices for You A wide variety of M-Audio PCI, FireWire and USB hardware interfaces are compatible with Pro Tools M-Powered software, giving you more options in where, when and how you work. Whether you need just a little I/O or a lot--or a desktop, mobile or hybrid system--you'll find the perfect solution with our PCI, USB/USB 2 and FireWire audio interfaces. Mix live and in the studio with the NRV10 interface/analog mixer. Experience compact productivity with an M-Audio audio interface keyboard. And DJs can enter the world of Pro Tools with our Torq products.
Easy to Use Elegance and power are the reasons why Pro Tools is used in the majority of professional recording studios around the world. At the same time, Pro Tools M-Powered 8 is very simple and intuitive. And once you know how to use one version of Pro Tools, you know how to work in any Pro Tools environment--from personal to pro studios. And if you want help, Pro Tools is supported by more educational materials and classes than all other DAW software put together.
Stunning New Look and Interactivity With a sleek new look, Pro Tools M-Powered 8 is as easy on the eyes as it is to use. All of the Pro Tools M-Powered functionality you know and love is still in place--now with double the inserts per channel, more customizability, easier access to editing options and more. Customize the toolbar to show only your favorite tools and rearrange them the way you want. Tile or cascade your window arrangement. Change the color of your channel strips, tracks, regions, groups, and markers to any hue. Navigate through sessions quickly using the Universe view. And with the QuickStart dialog, you can jump right into an existing session, quickly create a new session from scratch, or start from one of the new session templates.
A Well-Stocked Studio Pro Tools M-Powered 8 comes fully packed with a huge, comprehensive collection of music creation and sound processing plug-ins--giving you a well-stocked studio right out of the box. You get an incredible array of 70 DigiRack, A.I.R. and Bomb Factory plug-ins right out of the box, including EQ, dynamics, delay, reverb and many more. You can also create and play music with six groundbreaking virtual instruments from the renowned Digidesign Advanced Instrument Research (A.I.R.) group: the Mini Grand piano, Boom drum machine, DB-33 tone-wheel organ, Structure Free sample player, and Vacuum and Xpand!2 synths. See the complete list of bundled software.
As if that weren't enough, Pro Tools M-Powered 8 software also lets you take advantage of a variety of RTAS and AudioSuite plug-ins designed by the recording industry's largest professional third-party developer community. Track with powerful host-based vintage instruments from GForce and Way Out Ware. Polish your mixes with effects and mastering plug-ins from iZotope that surpass even expensive hardware. See more plug-ins from M-Audio, Digidesign and our partners.
Professional Recording, Editing and Mixing Pro Tools M-Powered 8 software enables M-Audio hardware enthusiasts to easily access the powerful recording, editing and mixing features of Pro Tools. Now with up to 48 simultaneous stereo tracks of 16- or 24-bit digital audio, and support for up to 96kHz sample rates, Pro Tools M-Powered 8 is an ideal companion for M-Audio interfaces and audio interface keyboards--whether you're recording solo or entire bands. And the optional Music Production Toolkit 2 expands Pro Tools M-Powered 8 to up to 64 mono or stereo tracks, and adds more effects and instruments, a multi-track version of Beat Detective and the Pro Tools MP3 Option.
Once you've finished your recording, you can fine-tune your performances with Pro Tools software's unmatched nondestructive editing tools. Shape sounds, compose parts, and add effects with RTAS instrument and effects plug-ins--then create polished mixes with professional mixing features and full mixer automation.
With Pro Tools M-Powered 8, your system has even more editing and mixing capabilities. Lock regions to the timeline to prevent them from being inadvertently moved or edited. Use the Automation and Controller lanes to view and edit track automation (such as volume, pan and plug-in automation) and MIDI CC data (such as velocity, pitch bend, and modulation) without changing track views. And with ten inserts to play with per track, you can now use more plug-ins than ever before.
Looping Tools Pro Tools M-Powered 8 features a variety of tools that make loop-based music creation faster and more imaginative than ever. In addition to importing REX and Acid files, the Loop Trim tool also makes it easy to turn audio or MIDI regions into loops. The Elastic Time and the new Elastic Pitch features make it a breeze to change tempo/time and pitch on the fly. As a result, you can integrate a wide variety of loops and audio files with your current session throughout the entire writing process. And DigiBase--the program's internal database--even has a Loop Preview feature that allows you to preview loops in sync, in real time, before bringing them into your session.
Transpose Audio with Elastic Pitch As a complement to Elastic Time, Pro Tools M-Powered 8 introduces Elastic Pitch, which allows you to you to effortlessly manipulate or correct the pitch of any audio region in real time, right inside the Edit window. Easily transpose an entire audio region in semitones--up to four octaves in either direction--without affecting its timing or tempo. Fix a less-than-perfect vocal performance by altering the pitch of individual notes in cent intervals. You can also create cool sound effects by linking pitch changes with time compression/expansion using the Varispeed algorithm.
Stretch Your Sound with Elastic Time Pro Tools M-Powered features Elastic Time, a powerful real-time tempo manipulation feature that makes it easy to change tempo or time on the fly. For musicians, composers and music producers, Elastic Time puts loop-based music creation in the fast lane, giving you the freedom to explore different tempos and experiment with loops and audio files that sync with your current session throughout the entire writing process. For post-production editors and engineers, Elastic Time makes it easy to stretch or squeeze audio tracks to fit video time frames, using high-quality algorithms that make your time manipulation virtually undetectable.
With Pro Tools M-Powered software, you can change the tempo and timing of loops, music, dialogue and other sound files without cutting up audio. Easily create loops from any audio file--even entire compositions--with the help of powerful tempo and transient analysis. Want to hear how a certain audio bit will sound in your song? The new Context Preview lets you quickly audition loops and audio files in sync with the tempo of your session. Even imported audio files and loops automatically conform to match your session's tempo.
Pro Tools M-Powered also makes it easy to perfect the timing of performances. You can improve errant beats by quantizing audio to your session's Bar|Beat grid--or to grooves extracted from other audio or MIDI performances using the Beat Detective feature, which offers better peak detection accuracy than ever before. You can also fine-tune "Elasticized" regions, with precision control over each individual beat, using the new warp track view and warp markers. You can even make the same precise changes across multiple grouped tracks while preserving timing offsets in multitrack recordings, such as with drums.
To ensure that you get the highest quality results, Elastic Time delivers some of the best-sounding processing in the industry. You can choose from several premium time-stretching algorithms on a per-track basis. You can even adjust the decay and processing window length to tailor the audio processing for each track, rather than settling for a one-size-fits-all algorithm.
Comp Tracks to Perfection Creating flawless performances is easier than ever with Pro Tools M-Powered 8. New track compositing features let you quickly and easily piece together the best possible version of a performance from multiple recording passes. Simply loop-record multiple takes on an Audio track, view and audition the takes in Playlist view, select the best parts from the track's alternate playlists, and copy them to the main playlist with a single click. You can also rate regions on a scale of one to five to help identify which takes you like the most when compositing playlists.
Advanced MIDI Production Pro Tools M-Powered software's fully integrated MIDI sequencer and editor allow you to record, edit, and mix up to 256 MIDI tracks alongside your audio tracks. Dedicated Instrument tracks combine the audio and MIDI elements of a given virtual instrument into a single channel strip to streamline your workspace. Launch your favorite instrument plug-in to get the sound you want. Engage loop recording to quickly develop a multi-layered drum pattern, then use Groove Quantize or Groove Templates to give it the right feel. Switch to MIDI Step Input to lay down a difficult passage. Turn on real-time MIDI processing to quantize your performance as it goes down.
Pro Tools M-Powered 8 also features a comprehensive array of new MIDI tools to streamline production with both virtual and traditional instruments. Gain extensive MIDI editing power through MIDI Editor windows, which can display MIDI and automation data for Instrument, MIDI and Auxiliary Input tracks. Work with new features that let you separate, consolidate and mute MIDI notes; scrub and shuttle through parts; view superimposed MIDI and Instrument tracks for easier arrangement editing; color code MIDI notes by track, type or velocity; audition velocity changes; and play MIDI notes when tabbing. Edit MIDI automation and continuous controller (CC) data through multiple Automation and Controller lanes. You can even watch your musical handiwork scroll by in real time during playback.
Score Your Music Based on the Sibelius notation engine, the new Pro Tools M-Powered 8 Score Editor window lets you view, edit, arrange and print MIDI data as music notation. Whether you want to compose music using the notation tools--or transcribe recorded, imported, drawn (with the Pencil tool) or step-entered MIDI data into notation--the Score Editor features everything you need and nothing you don't. Write parts on a single staff--treble, bass, alto or tenor clef--or grand staff. Place and edit notes, and edit the meter and key signature on a whim. Add chord symbols such as Dm7 and guitar chord diagrams to sessions. Transcribe MIDI parts in real time. Print out a score in its entirety or print only certain instrumental parts. You can even export sessions as Sibelius (.sib) files for further finessing in Sibelius.
ReWire Torq and More Fans of M-Audio Torq DJ software and other standalone applications can utilize ReWire within Pro Tools M-Powered for the best of both worlds. Simply send Torq software's output streams into Pro Tools M-Powered via ReWire for further mixing and processing. Pro Tools M-Powered also accepts MIDI directly from ReWire applications for recording controller data to a Pro Tools MIDI or Instrument track. With Pro Tools M-Powered and ReWire, the creative possibilities are endless.
Control Surfaces If you want the tactile feel of a pro console while enjoying the benefits of a personal or project studio, Pro Tools M-Powered supports both the M-Audio ProjectMix I/O and Digidesign Command|8. Both give you control over the software's mixing and transport functionality. ProjectMix I/O even incorporates a built-in 18 x 14 FireWire audio interface complete with eight preamps so you don't need any extra gear. If you're a DJ, Torq Xponent gives you a familiar DJ mixer surface combined with an audio interface and RCA outputs. And now with Pro Tools M-Powered 8, you can map plug-in parameter controls to almost any encoder on your controller, and access each track's ten inserts.

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