Showing posts with label daw. Show all posts
Showing posts with label daw. Show all posts

SONAR 8 Producer Competitive Upgrade Review

SONAR 8 Producer Competitive Upgrade
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Sonar has been the best available Windows-based digital audio workstation software for a long time now - to the point where a fair number of producers and studios have migrated to Sonar from Pro Tools, not to mention a steadily increasing string of software and industry awards. (See Cakewalk's site for names, if interested.) And, of course, with Boot Camp, you can run Sonar native under Windows if you have a recent Intel-based Mac - running a Mac doesn't force you into Pro Tools for software at this level. Pro Tools is still the pro industry standard, of course, but while a few years ago you HAD to submit material in Pro Tools format, virtually all studios and mastering facilities will now accept Sonar-based material as well. Cakewalk's continuous investment in Sonar is second to none, and I expect to see it surpass Pro Tools in the next few years. In my opinion, it is already better softare.
Sonar Producer comes with a terrific package of high-quality effects plug-ins (actually the original reason I jumped into Sonar Producer). I've also found Cakewalk to have good customer service - one of the very, very few, in fact, where the response on customer service calls is as good as on sales calls. Cakewalk continues to improve the user interface with Sonar 8. Particularly welcome are edit changes, including multiple-clip edits, and optimizations targeted at running high track counts. Several instruments are included, and I'm particularly happy to see Dimension Pro, which includes Garritan Orchestral sounds, and TruePianos Amber. Your interests and activities will differ, of course (mini are Midi-heavy), and you should really look through the complete list of enhancements on Cakewalk's site. Enhancements for this version runs several pages long. This is a major upgrade from Sonar 7.
In addition to the software, buy a Sonar book or two, take the tutorials, hit one or two of Cakewalk's roadshows, and join a forum or two. There is a fairly steep learning curve with Sonar, as with any other pro-level audio suite, the good news being there is a ton of support out there due to the market's embrace of Sonar.

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Ableton Live 5 Music Recording and Performance Software Review

Ableton Live 5 Music Recording and Performance Software
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If you're new to multi-track audio sequencing, I recommend Ableton Live! above every product on the market. It's user interface has been appropriately descibed as "revolutionary" by Mix Magazine and Electronic Musician, take the power of Pro Tools, shave away the most daunting and complex functions and add the simplicity of Sony's Acid loop sequencing software, mix the two togeather and provide an entirely fresh user interface that is instantly approachable, one that yields instant results and you have Ableton Live. I've abandoned Sonar, Cubebase and Vegas Audio in favor of Ableton Live this software is a joy to use. Here's what you get:
PROS
- Multitrack 16-bit/24-bit recording
- About a dozen popular effects
(Reverb, Compression, Noise Gate, EQ effects, Amp Sims, etc...)
- Powerful control over enevelops
- Timewarp feature without pitch alteration.
- Snap-to grid layout allowing recorded tracks to syn effortlessly with loops (works uniquely with time wrap feature, has to be heard to be believed)
- Track freeze
- Smart processing (the software optimizes memory and CPU performance quite well, but allows the user to take control of sample quality and quality of effects if desired)
- Solid VST plug-in support. (I've tested with AmpliTube, Korg Legacy Collection, Groove Agent, all at the same time! no problems! I've had many problems using VST's inside other non-Cubase sequencers)
- MIDI support goes well beyond the basics, you can set up loops as samples and play Live! like an instrument in real-time, it's actually designed with stage use in mind, but works equally as well in a studio as the heart of a DAW (Digital Audio Workstation)
- Use computer keyboard as MIDI controller option (compose a melody on a plane or in a hotel room! :)
- Works extreemly well on Laptop PC's, was designed to be played Live! on laptops.
- ReWire support lets you hook-in to Reason, Cubase and other sequencers to use Ableton as a remote or a host.
CONS
- No support for DirectX Instruments (DXI)
- Limited support for loop types, Live supports WAV, you'll have to convert everything else.
Another reviewer mentioned cost of this product, it's priced competitive, don't compare Live! to Sonar or Acid, those products cost about half of what live does, but they are not in the same category. Live! is in the ranks of Reason, Pro Tools and Cubase, which it is priced well against thos products. If you are a student you can purchase the full version of Live for about half the retail price. You can also upgrade from the Lite version of Live (packaged with many M-Audio products) to the full version for the same price.

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Ableton Live 7 - Windows / Mac Review

Ableton Live 7 - Windows / Mac
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I'll apologize in advance for the very lengthy review, but I want to cover all the points that made this program worth the rather hefty cost for me, an amateur music producer.
Music production is only a hobby for me, but as a professional programmer with 22 years experience I feel confident in saying this is one of the most useful, stable pieces of software ever written. Even the Windows version has an Apple Mac-like ease of use, with all the menus and controls logically laid out in a "show me just what I need but make it easy to dig deeper if I wanna" manner.
The different time stretching modes have handled loops from my library that have choked demos of competing products. Ditto for the handling of my favorite soft synths (Cakewalk Rapture and Z3ta) and some legacy MIDI hardware that brought Acid Pro to its knees. My favorite feature is the ability to place what Ableton calls "devices" -- tools like reverb, parametric EQ, panning -- into "chains" that can be saved and recalled and applied to future projects. I've built several "Trance effect" chains for my fave style of music and it saves me hours of trying to recreate a sound I liked earlier.
In the age of shoddy Microsoft operating systems, it's a sad fact that a major feature in any product is that it doesn't constantly lock up the software or the entire computer, but so be it. I've owned Ableton Live for 6 months now and I use it extensively -- it has crashed only 2 times in that time period.
Weak points: Ableton advertises the single-window interface as a feature, but that is a hugely flawed interpretation. Anyone using dual monitors will be staring at one empty screen when running Live. An example of why this is so bad can be seen with the new Spectrum Analyzer device. To make the SA display large enough to be useful, the user is forced to click a mulitude of "resizing arrows" which shrinks other parts of the interface to a size that makes them unreadable. Anyone used to placing their spectrum analyzer on a 2nd monitor while monitoring is "S. O. L."
Fortunately, you CAN toggle an option to allow 3rd party plugins to be placed on a second monitor. I had to drop another $90 for a quality analyzer plugin, but at least I can place it on another monitor where it's large enough to be useful. Truthfully, my Nu-Gen Audio "Visualyzer" plugin leaves every other analyzer I've used in the dust so the Live limitation doesn't hurt me too badly.
The only other annoyance is "screen clutter" when your project has more than a dozen or so tracks. The only solution is to deal with it and scroll constantly back and forth looking for a particular track. Sony Acid Pro blows Live out of the water on this one, allowing users to create folders where they can tuck away groups of tracks such as Percussion, Backing Synths, Leads, etc.
Again my apologies for such a long review. These are things I wanted to know before I decided to drop nearly $500 on a professional DAW package. Hopefully it can help another shopper in the same boat as I was.

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Sonar 8.5 Producer Edition Review

Sonar 8.5 Producer Edition
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I've been a Cakewalk user for years, starting with their Pro Audio software and dating to when the company was known as 12-Tone Systems. Their software has only become better and better as the years have gone by. Sonar has been the best available Windows-based digital audio workstation software for a long time now - to the point where a fair number of producers and studios have migrated to Sonar from Pro Tools, not to mention a steadily increasing string of software and industry awards. (See Cakewalk's site for names, if interested.) And, of course, with Boot Camp, you can run Sonar native under Windows if you have a recent Intel-based Mac - running a Mac doesn't force you into Pro Tools for software at this level.
Be warned - if you are not heavily into audio, audio for video, MIDI, recording, sequencing, effects, looping, mastering, mixing, etc. - and possess the audio domain knowledge that all that entails, as well as a good understanding of the complexities of running full-on audio software from a technical standpoint - you can find yourself overwhelmed by this software, and you will be MUCH better off with Cakewalk's Home Studio version of Sonar. Sonar (particularly Producer) can be enormously complex, but that's not due to any design issues - quite the contrary! Rather, that's because it covers a vast array of audio activities, options, and capabilities. It is possible to use it simplistically, but I'd direct anyone with only those types of needs to simpler software suites.
On the other hand, if you do have the audio and technical knowledge, you'll find Sonar Producer is flexible, powerful, configurable, and responsive. It is also very stable and has been so for many versions now. Be aware that this type of software by its nature (high processing loads, need to control latency, timing control and issues among multiple devices and interfaces, etc.) can be compromised by PC setups optimized for multipurpose use.
The software comes with a terrific package of high-quality effects plug-ins. I've also found Cakewalk to have good customer service - one of the very, very few, in fact, where the response on customer service calls is as good as on sales calls. Cakewalk continues to improve the user interface with Sonar 8. Particularly welcome are edit changes, including multiple-clip edits, and optimizations targeted at running high track counts. Several instruments are included, and I'm particularly happy to see Dimension Pro, which includes Garritan Orchestral sounds, and TruePianos Amber. Your interests and activities will differ, of course (mini are Midi-heavy), and you should really look through the complete list of enhancements on Cakewalk's site. Enhancements for this version runs several pages long. This is a major upgrade from Sonar 7.
I do have one issue with Cakewalk, though I'm not knocking down the rating because of it as the software itself is too good. The problem is that Cakewalk hits their user base pretty hard on upgrade fees. You can pretty much count on having to spend a few hundred dollars per year to keep the software up to date if you take every version and keep your plug-ins up-to-date. I've always felt that companies should upgrade customers from the most recent versions for little or nothing if they have paid for a recent upgrade, at least for a download. There is some price tiering depending on what version you're running, but it's insufficient, in my opinion. At one point I unknowingly purchased an upgrade weeks before a new release - but Cakewalk still charged me the full upgrade price for the new version. That kind of pricing policy doesn't encourage customer loyalty. I understand that this is a minor issue for a pro or a studio, but Cakewalk also has a large installed base for Sonar Producer among non-pros.
My preference would be for Cakewalk to adjust their release approach to one of more incremental releases between major versions. It's far more disruptive to install a new version, taking on the setup and learning issues than it is to install incremental upgrades (Cakewalk does release some patches.). You do get what you pay for, however.
In addition to the software, buy a Sonar book or two, take the tutorials, hit one or two of Cakewalk's roadshows, and join a forum or two. There is a fairly steep learning curve with Sonar as with any other pro-level audio suite, the good news being there is a lot of support out there due to the market's embrace of Sonar.

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Toontrack EZdrummer Multi Layer Drum Sampler Review

Toontrack EZdrummer Multi Layer Drum Sampler
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I'm a bit baffled by some of the reviews here. I got EZDrummer recently and I'm very happy with it so far. Let me clear up a few things:
1) It's a virtual instrument (says so right on the name). Apparently some people don't understand what that means. What that means is that you plug it into your favorite "main" sequencer program (FL Studio, Cubase, Mixcraft, whatever) and use it from there. Actually, EZ Drummer *does* come with a stand-alone program as well, but it's mainly a virtual instrument. Complaining that you need to buy a sequencer to use it is like complaining that you need to have a computer or an operating system, or a disk drive, or a power outlet. Duh! That's it's nature, and it's well understood.
2) The licensing is not *that* bad. Here's what it is: you install the program from the disk, you login to their website and fill in some info including the "license key" that comes with your disk, Toontrack generates an automated email containing an authcode that is specific to your computer and your serial number, you type that in on your computer, and you are done. The bottom line is that you can set two machines up to run with a single copy of EZDrummer. Then if you want to install it on a 3rd machine you have to de-activate one of the licenses that you had previously activated.
I'm not real thrilled about the licensing. It is certainly a bit confusing, and I wish it were either a little more flexible or let you license it via a dongle but I've seen much much worse, and I had things running 15-20min after inserting the disk into my machine. It's actually pretty similar to how Adobe does licensing for example.
Ok, so how is it at helping you create drum beats? Seems pretty darn good to me. The "default" drum beats are great. Just select what you want and drag it right onto your favorite sequencer. That is one way to use it. And even using it on that simple level it gives you a lot of power. You can make modifications like how hard the drum strikes are, and you can control the mixer right on EZdrummer itself to tailor the individual drums and symbols. The other way to use it is to create completely custom beats. I have not played with that much yet, but that is the feature that distinguishes it from places that just offer you drum loops that you pretty much have to take "as is" for example. And to me the fact that it offers so many different "upgrades" is a nice plus. It means that you can start small and expand, and also that the company is alive and well and motivated to keep making their product better.
I haven't used it enough yet to give a real in-depth review, but I felt like a few of the things that were said about it were pretty far off-base, and I wanted to chime in on that. I think the real telling thing about EZDrummer is what the real experienced hard-core musicians think of it. Go and do some searches and I think you'll see that this program has a real nice, well-earned reputation in the musician community.
By the way, I've been using it with FL Studio and Mixcraft and it seems to work very well with both those programs.

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ACID Pro 3.0 Review

ACID Pro 3.0
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Rather than repeat the praise that has been heaped on this product by other reviewers, I thought I would point out that Acid Pro 3.0 is an extraordinarily elastic piece of software; true, if you have no musical background, you can simply paste loops into your song and let Acid do the rest; but if you want to get into the microscopic details of music production, you can do that as well. Aside from global key and tempo changes, you can change the key of individual loops; you can change the pitch of individual notes within individual loops; add global effects or effects envelopes to just parts of tracks. Harmonize loops. Create multiple busses. There's even a way to simulate granular synthesis (read Sam's Teach Yourself Acid to learn how). Use the Chopper to create drum fills and stutters.
In short, the single most daunting thing about Acid is not the learning curve, but the absurd number of things you can do with it--where does one start?
P.S., As if Acid Pro 3.0 were not powerful enough, it comes with a basic version of Sound Forge, Sonic Foundry's sound file editor.

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ACID PRO 3.0 is a loop-based music creation tool that allows you to produce original, royalty-free music. Use ACID PRO to create songs, remix tracks, develop music beds, score videos, and develop music for Web sites and Flash animations. This tool is intuitive and easy to use. Work with hundreds of loops in multiple genres. Use unlimited tracks of audio. Import complete songs, even MP3s. And when you're done, publish your music to Acidplanet.com. It even has built-in support for MIDI and video scoring, and can save to a number of audio and video file formats, including WAV, WMA, RM, AVI, and MP3.
With ACID PRO, you can create original, royalty-free music in minutes. It's as simple as pick, paint, and play. Simply pick the loops you like, paint them on a track, play your results, and enjoy the music. Use as many loops as you like with unlimited tracks. Adjust the volume and panning for each track. Alter effects over time using volume and track envelopes. Apply fades and transitions and create drum fills. Combine music loops with existing songs. Even apply effects on tracks, busses, or in assignable effects chains.
ACID PRO includes 18 DirectX audio plug-ins from Sonic Foundry's XFX 1, XFX 2 and XFX 3. This package of effects includes amplitude modulation, chorus, delay, distortion, flange, noise gate, reverb, and more. ACID PRO also includes three EQs--graphic, parametric, and paragraphic--and supports third-party DirectX plug-ins. The program also includes a music content CD containing more than 600 music loops and dozens of projects from Sonic Foundry's Loops for ACID collection. This assortment will get you on your way to creating royalty-free music in minutes. Genres include: dance, hip-hop, techno, industrial, pop, rock, jazz, ambient, orchestral, and more.
Create a music bed and score original music alongside your video to add to your own video productions. With ACID PRO's ability to match pitch and tempo, scoring your video is made easier. Combine MIDI files with your audio tracks in ACID PRO. MIDI files can be played using external or internal MIDI sound sources, including DLS (Downloadable Sounds) Sound Files, through the DirectX Soft Synth. MIDI tracks time stretch perfectly to any tempo, and can be rendered with effects just like audio tracks.

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Propellerhead Reason 4.0 Upgrade Review

Propellerhead Reason 4.0 Upgrade
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This revolutionary software puts the power of a multi-million dollar studio into your laptop ! The amount of sonic possibilities here are infinite - this is a great tool for the musical novice as well as the most advanced music professional. I highly recommend it !

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Propellerhead Record Software Recording Studio for Musicians Review

Propellerhead Record Software Recording Studio for Musicians
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I got Propellerhead Record a couple weeks ago, and I was looking forward to it quite a bit. A recording solution from the people who made the awesome, easy-to-use, stable, and incredibly fun Reason? All I could say was "what took you so long?"
This won't be too in-depth, but I wanted to give a couple flags of clarification for folks out there considering buying Record as a stand-alone recording package (without Reason or any other Rewired software tools).
1) Record has no MIDI-out capability. That means, unlike all the other major sequencing-recording packages out there, using just Record alone, you will have no way to sequence, control, synchronize with any hardware equipment via MIDI. Got an old Yamaha Motif or Access Virus module you'd like to sequence with MIDI and then record the output into Record? Well, you can't do it unless you use some other software (Sonar, Cubase, etc) to do the actual sequencing and then synchronize that software with Record using Rewire (Rewire is a protocol that lets both Reason and Record communicate/synchronize with other recording and sequencing software, like Sonar or Cubase). Have to admit...had I realized this before I bought it, I might have held off on purchasing Record. I never thought to ask because I just assumed it would be a feature.
2) Unless you already have Reason or buy the Record/Reason package, your options for MIDI sequencing soft synths with Record will only be the ID-8 sample based synth that's included with it. It's not bad, but if that's ALL you have for soft synth access, it's fairly limited. And like Reason, Record won't let you use any other plug-in soft synths.
So, what are your options to best use Record?
* Buy it with Reason. The arsenal of great quality soft synths, effects, and tools at your disposal are too valuable to pass up and perfectly complement Record. And Reason so perfectly integrates with and complements Record (no "Rewire" required for them to "talk"), that Record almost seems handicapped without it. I already owned Reason, so currently this is the option I'll use the most. It's easy and covers most of what I want to do.
* Learn how to play your hardware keyboards/synths so well you don't need to sequence them (the same option guitarists have had to live with). I'm a mediocre keyboard player...some days my timing is great and I do very little MIDI manipulation of sequenced tracks...other days I stay sane by being able to edit bad note events and quantizing. As well, I have some old "no-MIDI" analog synths, so I'm used to having to play (with no sequencing option) occasionally while recording. Were I a better player I'll admit, the no-MIDI-out issue with Record would be much LESS of an issue.
* Use it with another software sequencer using Rewire. I had already planned on doing this somewhat because Record doesn't handle video, and I do the occasional soundtrack for video projects I throw together. My Reason has been Rewired to Sonar on quite a few occasions and has worked nicely. Additionally, I have a couple of really nice hardware synths that I use a lot when I compose/record. In order to get them sequenced and more easily recorded, I'll likely end up Rewiring Sonar to Record.
So lastly, you're wondering, "with all the required workarounds, is it even worth buying Record?"
If you're new to computer based recording, not too heavily invested in any other recording packages, and you don't have any hardware synths you like to sequence, then Record with Reason is a no-brainer and a big yes. It's a nice, professional sounding, easy-to-use and easy-on-the-CPU package that provides most of what you could want for home recording and music production. But, if you do a lot of video, or rely extensively on MIDI control of music hardware then unfortunately you'll still need other software to provide that capability and you might as well consider going with another recording/sequencing package.
Yep, it's true. Without MIDI-out, other Rewired software and Reason, Record is really just a nice, very easy-to-use, PC-based version of an old recording studio. What you mostly get out of it is what you can manually record into it (and manipulate digitally). Record clips of sound, music, vox into it, edit, add effects, mix and voila! Finished songs!
As for me, for now I'll likely keep using all three...Reason, Sonar, and now Record, and then I'll throw a BIG party when Record incorporates MIDI-out. Based on discussions at Propellerhead forums it's a definite possibility they're already working on the feature. I'm keeping my fingers crossed. Because of the required workarounds, for me I can't give it a 5-star rating. But given all the other strengths and the capability Rewire gives it, it's a VERY solid 4.
***Added note for new Record 1.5: No, even the new 1.5 version doesn't have MIDI-out. Let's hope for 2.0.

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Propellerhead Record (for Reason Owners) Software Recording Studio for Musicians Review

Propellerhead Record (for Reason Owners) Software Recording Studio for Musicians
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This is perhaps the easiest decision for someone to make - would a Reason users like to be able to record audio in conjunction with Reason? Look no further.
As a stand-alone audio recording application, Record is at the top of the line for functionality, ease of use and sound. Using the same beautiful, intuitive old-school interface structure as Reason, Record is ready to use immediately after installation. Anyone who is familiar with recording on any multi-track device will find this application a pleasure to use and immensely productive. Along with multi-track recording, limited only by your computer's processing power, Record has a standard complement of audio editing tools for splicing multiple takes of any track into an ideal master. It's also excellent for mixing and remixing, with an exceptional mixer interface model after classic SSL boards, complete with built in EQ and compression and elegant effects in-out connections. Although Record has no sound modules other than an extremely basic sketch unit, it does offer the full set of effects devices.
But the details don't matter so much as whether Reason users would like to record in their application. If you have Reason, and install Record, they are immediately and completely integrated. You cannot run both simultaneously - Reason prevents Record from launching. This is not a problem of any kind, however, as launching Record makes the full set of Reason devices available to be put into a rack, just like in Reason. In fact, using Record is identical to using Reason, with the addition that you now have full audio capability. The beta-test version of this application was 99% stable and bug-free, so buy, load and launch with confidence. Absolutely beautiful, a stunning example of good design and functionality. Highest recommendation

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Record for Reason Owners gives registered Reason users a direct path to add Record to their setup. Record for Reason Owners contains a complete version of Record, Propellerhead Software's brand new recording software, and upgrades Reason for complete integration.Record gives you unlimited audio tracks, world class effects and mixing gear, and a whole new take on music recording. Couple it with Reason and your favorite Reason devices appear inside the Record rack. With an intuitive, straightforward interface and a hands-on approach to capturing performances, Record was designed for musicians-not audio engineers. This is recording done right.Highlights in RecordPropellerhead Record combines recording and an ultra high-class mixer console with the limitless flexibility of the Reason rack.Record fully integrates with Reason-all your favorite devices are available directly in Record's ever-expandable, multiple racks. For Reason users, Record has zero learning curve; work in the comfort of an environment you know and love.To help you arrange your tracks in a smooth, effortless way, Record comes with a fast and flexible sequencer. Immediate and intuitive, Record's sequencer puts you in control of your arrangements, letting you move and edit parts as you go along, while Record's comping editor lets you effortlessly edit your takes into the single best performance.Record's software mixer's sound is faithfully modeled after* the legendary SSL 9000K hardware. Flexible routing, full dynamics, EQ, advanced effects handling, full automation and a 64-bit mix bus gives you that big studio sound.For guitarists and bassists, the built-in virtual POD from Line 6, Inc. brings a wide range of top-quality guitar amps, bass amps and a great collection of cabinets.With its state-of-the-art dynamic multicore audio handling, Record will use your computer's processing power to its fullest, so you'll never have worry about track counts or adding that extra reverb or delay.

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Propellerhead Reason 5 Upgrade Review

Propellerhead Reason 5 Upgrade
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From my first exposure to Reason (Adapted that came with an audio interface purchase) I've been a devoted Reason lover. In my opinion there's never been a more unique, or software stable, music creation tool. If I lived to be 90 I don't think I could fully realize the potential of this program.
Now with the addition of Record the program is a complete audio workstation. It's difficult for me to separate the two at this point but I believe the two newest features that are part of Reason 5 that I've found useful are the Kong drum designer and the sequencer blocks mode. I've already created a Combinater that takes full advantage of Kong's drum sounds and effects coupled with the step programable features of Redrum, awesome!
The blocks mode within the sequencer is quite helpful for organizing songs into sections but still the only complaint I have with the sequencer is the lack of position markers.
Reason continues to be the most inspiring music creation program I've ever encountered and the bottom line is it's just plain fun to play and experiment with.

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Native Instruments Guitar Rig 4 KONTROL Edition - Software/Hardware Combo Review

Native Instruments Guitar Rig 4 KONTROL Edition - Software/Hardware Combo
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I've been a guitar Rig user since Version 2 and have both positive and negative to say about the product. Guitar rig is a fantastic tool for creating arrangements quickly during the writing process especially if guitar isn't your first instrument. The sound quality is as good as I've heard from a plug in and the effects when chained like a real live setup would be perform with the same characteristics. Put a compressor where you normally would in a signal chain and it acts like a compressor. I cant say the same about it's competitors. I find most of the effects to be very nice especially the staples for guitarists such as overdrive and delay.
I gave this review 4 starts for two reasons. The first being the foot controller, it's not well made and Native Instruments has not had replacements available for several months. I believe this could be due to a vendor change or a full redesign. The floor controller is built very poorly and is very expensive for what you acquire upon purchase. The replacements are almost $300 US, twice the price of a Behringer FCB1010 which is made much superior. The second is the CPU usage. I think NI can do a better job in this area, the software can eat a lot of CPU and RAM.
Over All I really like Guitar Rig over other products I have tried and purchased. I do have concerns about future development of the product now that it's part of Komplete and no longer available stand alone without the hardware, but I think that could change too. Although I use a mic'd up cabinet once I have the arrangements finished I have kept many scratch guitar solos that I intended to re-record in projects that sounded great. Guitar Rig is a really good solid product and their website has fantastic customer service and software verification.
I do recommend this this product preferably without the hardware if you can find it that way. Less the Hardware I give Guitar Rig 5 stars.


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Propellerhead Record Reason Duo Review

Propellerhead Record Reason Duo
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Set up is a breeze. Although, I'm a little more advanced than your beginner. I have an M-Audio FastTrack Pro, and I have a several MIDI controllers in the studio. A little complicated, but well worth it.
I've been messing with the demo for a while now, and LOVED the interface. Now with the Reason 5 and Record 1.5, I feel it is now a complete DAW and recording suite. Now I just have to save up for ReCycle, and I'm complete for a home studio for hip-hop. And with Record, I can record acoustic guitars and/or vocals. Comes with a mastering suite, so this can be your all in one (although I prefer ProTools mastering suite).
I'd say try it out from the direct download if you're not sure. You get 30 days to mess around with it. . .
I don't have to say much, but you can probably find videos on youtube or from the Propellerheads website.UPDATED
Nevermind. . .I won't need ReCycle any more. . . .It's now all internal!!!! Wish I could add 3 more stars for that!!!!

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Logic Express 9 Upgrade Review

Logic Express 9 Upgrade
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Why should you upgrade to 9? Because Snow Leopard introduces the ability for intel powered Mac's to move up from 32 bit to 64 bit for some choice software. Logic being just about the choiciest.
Do you really want to move to 64 bit? It isn't necessary. If you like to work with Logic's EXS sampler, you can reconfigure in 32 bit if you'd like to take advantage of assigned virtual space on your hard drive. But if you got 9 (and you download the free apple upgrade), and if you got more than 4 gigs of ram, you can get that extra ram assigned directly to your sampler. Or if by chance you have any sampler laden 64 bit 3rd party software (Omnisphere, a lot of NI's stuff), same thing.
On the other hand most 3rd party plugs have not made the leap to 64 yet. They still will run on the upgraded system, but without any advantage. We're still early here in what now seems a significant (and in a few years' time will appear quaint) upgrade. If your relatively new to this and not heavily invested in 3rd party plug-ins, this probably is a great time to set yourself up for the future. Otherwise, there's no rush.

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Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player's dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Upgrade Version
Upgrade from retail versions of Logic Express 6, 7, or 8; or Logic Audio 5 or 6.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

Related Products
Complete your music studio with a Mac Pro workstation and two 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you and make your music anywhere.

AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple's professional support staff. For more information, visit www.apple.com/support/products.


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Apple Logic Studio Review

Apple Logic Studio
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So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

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Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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Logic Studio Upgrade From Logic Express Review

Logic Studio Upgrade From Logic Express
Average Reviews:

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I had Logic Express 8, so not only would this be an upgrade, but an update as well. According to the website, this upgrade package would even work from older versions of Logic Express. Given that buying an older version of Express and upgrading can be cheaper than buying Logic Studio directly, I thought this must be too good to be true. I called Apple, and the person I spoke to wasn't sure it would work, either.
Well, I just got my copy yesterday, and I can vouch that it works perfectly, at least for upgrading/updating Logic Express 8. When you consider the overwhelming array of instruments and software that you get with Logic Studio (9 DVDs worth!) this makes it just about the best deal in software I've ever seen, even at this three figure price. It's like having a recording studio and the worlds biggest hardware rack right in your laptop.
If you've been playing around with Logic Express, and are thinking about getting Logic Studio, I can assure it's worth it, especially through this upgrade path. If you're new to Logic, I recommend getting a used copy of Logic 8, and then if it turns out you'd like to get the full version, you'll be able to get Logic Studio 9 for probably less than buying it outright.

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With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Upgrade Version
Upgrade from Logic Express.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

Buy Now

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Logic Express 9 Retail Review

Logic Express 9 Retail
Average Reviews:

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I am a hobbyist, not a pro, so keep that in mind as you read this; however, I have over the years used the old Logic when it was made by eMagic, Cubase, and landed on MOTU Digital Performer for a few years. I took a wrong turn and ended up playing with Reason and Live for a while, and then quit altogether. After a few years, I recently picked up Native Instruments Komplete 6, and never having found an ideal DAW, decided to dip my toe in the water with the new version of Logic Express. Having used many packages, I can tell you this is a robust package that strikes a nice balance between ease of use for a musician and powerful features for a producer. The Express version is not defanged, and can happily handle tons of tracks, Audio Units plug-ins (no VSTs), and without reading the manual I could record MIDI tracks, use software instruments, and record audio the same day I installed it. There are some really nice features and if you need the pro version you simply pay the difference for the upgrade, making this pretty exceptional value. I'm still fine with Express, but knowing the upgrade is easily available at no penalty is a nice policy. This is an intuitive and thoughtfully designed piece of software that has definitely reduced barriers for me at least in terms of getting the ideas that are in my head down and playing with them until they sound great.

Click Here to see more reviews about: Logic Express 9 Retail


Record, edit, and mix your music on a Mac using the new Logic Express 9. Open your GarageBand files and get right to work, or start from scratch with a new composition. Logic Express 9 is a guitar player's dream, with Amp Designer and Pedalboard, two new plug-ins that re-create the sound of legendary amps and stompbox effect pedals. You can build your own amp model and try any combination of stompboxes. An improved set of music creation tools makes it even easier to capture and develop your musical inspirations. Use the new Flex Time tools to easily manipulate audio timing and tempo. And make music right out of the box with over 100 instrument and effect plug-ins from Logic Studio.

Logic Express 9. Record, edit, and mix music on your Mac.

Top Features
Perfect for capturing and developing your musical inspirations
Seamless compatibility with GarageBand files
Flex Time features that make editing audio timing and tempo easier than ever
More than 70 studio-quality effect plug-ins, including vintage and modern compressors, delays, reverbs, and more
New Amp Designer plug-in to help you re-create the sound of 25 legendary amps and 25 speaker cabinets
New Pedalboard plug-in with an assortment of 30 virtual stompbox pedals inspired by the classics
36 software instrument plug-ins, including the Ultrabeat drum synth and beatbox, ES2 synth, and EXS24 sampler

Related Products
Complete your music studio with a Mac Pro workstation and two 24-inch Apple LED Cinema Displays. Take a MacBook Pro with you and make your music anywhere.

AppleCare
Offering solutions for businesses of any size, AppleCare provides ongoing product coverage, including the AppleCare Protection Plan for Mac systems and Apple flat-panel displays. To augment your experience with Apple professional software, AppleCare Professional Video Support and AppleCare Professional Audio Support offer direct access to Apple's professional support staff. For more information, visit www.apple.com/support/products.


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Click here for more information about Logic Express 9 Retail

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Logic Studio Retail Review

Logic Studio Retail
Average Reviews:

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I use to use Logic Pro back in the day of Atari Falcon and STE1080. then i went to PC and used Logic 4.7. Though i never used the audio with it back then due to the instability of the product. It was easier to use a Mackie HDR 24/96 with midi clock to sync.
Before obtaining Logic Studio i was using Ableton Live versions 5,6,7 and now 8. The reason i bring this up is that i am now back to Logic Studio Pro on a MacPro 8 Core. The major reason for this change back to Logic was for 3 main reasons that blow away Ableton 8:
* Midi control for external and internal instruments
* Clean, Tight, Dynamic Headroom, clarity of sound. Audio Engine is far better then Ableton even at 44.1 (though i use 96k)
* for the price and what you get, this software is incredible!
The new features of Logic Studio 9 is the Flex and Guitar suite. Though i have not been impressed with the flex (perhaps because i am not sure how to use it correctly yet) the Guitar suite is AMAZING. I have owned a Line 6 pro and a Line 6 bass pro and this Guitar Suite is amazing if you run it under 96k.
The Logic Pedal board has a great slew of guitar stomp pedals that sound amazing and better then most other emulations i have heard. the distortions are warm and tube like, unlike more software emulations i have heard. it rips just right even with a guitar straight into the A/D and processed by Logic. They have a Tape Delay that emulates the Roland 201 tape echo or EHX Memory Man Deluxe and it sounds sweet and mixes very well.
The automation features are tight and crisp as well. Though it takes a bit more time to get setup on Logic for controller setup then Ableton, it is tight once you get it there.
User friendliness is not as good as Ableton but then you are getting a more PRO engine then Ableton has thus been able to deliver. In Ableton it seems the 'warp marker' technology seems to 'fuzzy' then audio in such a degree that the clarity is not tight. the dynamic headroom and stereo separation is not there. I was wondering if i was loosing my mind, but it is not the A/D Presonus firepod it was the engine of the Ableton 8. Once on Logic Studio 9, the clarity and tightness of the mix returned. This proving this engine is far superior to Ableton for a studio mix.
NOTE: if you can handle the disk space and processing power required to run 96k, do it. It will tighten your mixes amazingly.
Should you buy this? here is my suggestion:
If you run a Mac it is worth the cost. for what you get for such a pro engine and features and plug-ins this blows away the competition. At now version 9.0.2, the system on Snow Leopard is stable. very stable. It runs cleaner and crisp on snow leopard with the 64bit processing. It utilizes all the cores effectively as well. With the new imac @ 4 cores, it really could be a mini pro monster for recording.
If you own a PC, you can't use Logic, so you have to consider Sonar, Cubase, Ableton, ProTools.
I have not tried protools due to the cost of upgrades and truly to use it as tight as the industry standard, it takes a year for upgrades to happen after a new OS and the cost is outrageous compared to Logic.
I have not tried Sonar. I have used Cubase. the engine is clean though cumbersome to use.
Hope this is helpful.

Click Here to see more reviews about: Logic Studio Retail


With over 200 new features and enhancements, the new Logic Studio delivers everything musicians need to write, record, produce, and perform on a Mac. The center of Logic Studio is Logic Pro 9, which makes it easier than ever to create your own compositions. Produce and play nearly any sound imaginable with a huge collection of effects, instruments, and loops, including the new Amp Designer and Pedalboard plug-ins. Use MainStage 2 to perform live with the instruments, amps, effects, and sounds you used to make your tracks. Logic Studio also comes with applications and utilities that expand your creative options into audio post-production and mastering, including Soundtrack Pro 3, WaveBurner 1.6, and more.

Logic Studio. A studio on your Mac as big as your ambitions.

Top Features New Pedalboard with an assortment of 30 virtual stompbox pedals inspired by the classics.

Buy Now

Click here for more information about Logic Studio Retail

Read More...